Mark Kermode, Observer film critic 

Manuscripts Don’t Burn review – brave and defiant film-making

Mohammad Rasoulof’s thriller eschews Iran’s cinematic guidelines and goes straight for the jugular, writes Mark Kermode
  
  

manuscripts don't burn
Manuscripts Don't Burn: the cast is anonymous. Photograph: /PR

This Iranian thriller about state-sponsored censorship and murder arrives with no credit other than that of writer/director Mohammad Rasoulof – the cast and crew wishing to remain anonymous (like Jafar Panahi, Rasoulof already has a prison sentence hanging over his head). The film follows workaday thugs Khosrow and Morteza as they attempt to retrieve copies of an allegedly seditious manuscript detailing (among other things) an attempt to kill a group of writers by driving their bus off a cliff – something that apparently really happened in the mid-90s. The manuscript implicates a former dissident turned self-serving state executioner, and it is at his bidding that the gruelling acts of violence are carried out. Eschewing the creative subtleties demanded of state-approved Iranian cinema, Rasoulof’s grim thriller goes straight for the jugular, both literally and metaphorically. The results are challenging and alarming; the film-making brave and defiant.

 

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