Mark Kermode, Observer film critic 

Obvious Child review – a forthright romcom that tackles abortion

Gillian Robespierre's witty romcom about a standup comic who decides to have an abortion will delight many and infuriate others, writes Mark Kermode
  
  

Obvious Child - 2014
'Refreshingly frank': Jake Lacy, Jenny Slate and Gaby Hoffmann in Obvious Child. Photograph: cA24/Everett/REX Photograph: cA24/Everett/REX

Adapted by Gillian Robespierre from her own 2009 short, this Kickstarter-assisted indie drew enthusiastic applause from Sundance audiences and outrage from conservative anti-abortionists who declared: "If America laughs at this, America is beyond redemption." Jenny Slate plays aspiring standup comedian Donna Stern who spends her days working at the splendidly named Unoppressive Non-Imperialist Bargain Books and her evenings antagonising audiences with her confrontational observations on sex and religion (think Sarah Silverman – sort of). Donna takes pride in talking about everything on stage, including the unplanned pregnancy that resulted from a one-night stand with nice boy Max (Jake Lacy).

Simply mentioning abortion remains a taboo in mainstream American cinema, but Robespierre's admirably forthright romcom remains good-natured as it flies the flag for a woman's right to choose, painting each of its characters in impressively complex hues (mums, dads and lovers all surprise) and putting a refreshingly frank twist on the usual sentimental generic template. The reliably acerbic Gaby Hoffmann gives it some welly as Donna's indomitable best friend Nellie.

 

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