The latest item carried over on the Scandi crime wave forsakes chunky-knit sweaters for a notional harder edge, offering a naturalistic study of a teenage cat burglar caught between rival factions on the Copenhagen periphery. Much of Michael Noer's film feels anaemic: the switchback plotting that sees bullet-headed antihero Casper (Gustav Dyekjaer Giese) become a figure of empathy was put over with greater force and visual flair by Nicolas Winding Refn's Pusher films. Some site-specific design porn persists – notably in Casper's quest for a PH Artichoke lamp – but it chiefly resembles that scrappy posturing by which our own film industry habitually bids for street cred.