Philip French 

Sparrow – review

Style counts for everything in Johnnie To's latest head-scratching thriller about a confidence trickster, writes Philip French
  
  

Sparrow
Kelly Lin in Johnnie To's 'beautifully made' Sparrow. Photograph: PR

The reputation of Hong Kong director Johnnie To rests on such stylish gangster films as Election (2005), a dark study of the contest for the leadership of a long-established triad. Sparrow, which has taken three years to reach this country, is a beautifully made, deliberately puzzling thriller in which a team of Hong Kong pickpockets (led by the handsome Simon Yam) are taken for a painful ride by a beautiful femme fatale working for an ageing big-time criminal. It's a film of considerable style but little substance. A sparrow apparently is a harbinger of bad luck as well as Chinese underworld slang for pickpocket.

 

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