Hen review – plucky chicken beats the odds in weirdly uplifting survival story

In a feat of cinematic mystery and skill György Pálfi coaxes a tour de force from his poultry cast in this parable of animal and human interrelations

Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar

Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered

Nvidia’s revenue blows past Wall Street expectations as AI boom accelerates

Many analysts view company’s financial performance as a broader referendum on AI buildout

The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love

Google DeepMind in talks with UK unions amid staff concern over US and Israel’s AI use

Exclusive: Google DeepMind agrees to Acas talks after workers sign petitions about governments’ use of AI for defence and intelligence

Tom and Jerry: Forbidden Compass review – furry foes out of their depth in candy-coated Chinese adventure

Cat and mouse are transported to a quasi-medieval China in this luridly bright animation that has none of the inventiveness of the Hanna-Barbera originals

‘I don’t worry about a robot takeover’: AI expert Michael Wooldridge on big tech’s real dangers (and occasional blessings)

Almost 50 years after he first got his hands on a computer, the Oxford professor still believes in the power of technology. Can his beloved game theory explain why Silicon Valley’s entrepreneurs consistently misuse it?

Fight Like a Girl review – fiercely authentic setting lifts powerful female boxer drama

Ama Qamata plays a teenage survivor of sexual violence in the DRC with compelling power, and searingly drawn footage of street life in Goma gives authentic edge

Sheep in the Box review – a bland, baffling tale of AI children from Hirokazu Kore-eda

There’s nothing wrong with film-makers leaving their comfort zone but the Japanese director’s latest effort just doesn’t work

Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film

Cannes film festival: Spaniard’s latest life-v-art auto-metafiction feels slightly muddled as he directs a director directing a director

Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war

Cannes film festival: The great Russian director’s first film for almost a decade is tremendous drama following the ill-deeds of a mini-oligarch who comes up with a toxic new way to feed Russia’s war machine

Who’s behind the Facebook page posting hateful AI slop about the UK? The answer might lie in south Asia

Our research has uncovered young entrepreneurs in Sri Lanka and Pakistan using AI tools to make deeply objectionable content – and money, says Niamh McIntyre of the Bureau for Investigative Journalism

Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp

Set against the 2028 Olympics, Charlotte Zhang’s beautifully attentive debut follows two Latino men as they game the system of state-sanctioned racial violence

A Few Feet Away review – Buenos Aires slacker tries to balance app life and real sex in vivid hookup drama

Tadeo Pestaña Caro’s debut feature trails a young man’s compulsive screen time and his panic when faced with real intimacy

True North review – students take stand against racism in highly charged account of protest in 60s Canada

Interviews and archive material are elegantly stitched together in this look at a huge student uprising in 1969 Quebec