Richard Hartley

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Glamming up ‘dirty war’: teens in Mexico glorify 1970s secret police on TikTok

AI videos let young people adopt the guise of DFS agents, sparking debate over glorifying corruption and impunity

The Killer review – John Woo’s gun-filled melodrama remains a blood-soaked classic

The director’s 1989 Hong Kong action touchstone is a wild melding of maximalist violence and surreal sentimentality – with added harmonica

Trains review – magnetic cine-essay explores the liberation that the locomotive gave us

The advent of the steam age ushered in a great social revolution, but as Maciej Drygas’s film points out, the technology also took us off the rails

‘All right mate?’: Amazon pins UK hopes on AI upgrade of Alexa

Long-awaited Alexa+ aims to get Britons re-engaging with their devices – but it may have its work cut out

Inside China’s robotics revolution

The long read: How close are we to the sci-fi vision of autonomous humanoid robots? I visited 11 companies in five Chinese cities to find out

Polymarket gamblers threaten Israeli journalist over missile strike story

Emanuel Fabian says his routine report became focus of wager with $23m at stake on online prediction platform

Sean Penn receives ‘Oscar’ made from damaged Ukrainian rail carriage after Zelenskyy meeting

The actor skipped Academy Awards ceremony to travel to Ukraine, where he was presented with alternative prize

Abode review – Irish quintet of linked short films burrows deep into stereotypes

The humour falls flat, the twists are weak, the plotlines are absurd and it’s soaked in booze and gambling. The only thing that saves this film are the actors’ performances

The Last Supper review – not much meat on the bones at Jesus’s famous final meal

Undemanding retelling of Jesus’s choice miracles, breaking bread at dinner and the subsequent crucifixion and resurrection ticks basic boxes but offers no depth

Dead Lover review – go-for-broke grotesquerie promises fragrant filth in full Stink-O-Vision

Grace Glowicki’s microbudget Canadian horror follows a lovelorn gravedigger who salvages the corpse of her deceased sweetheart

Could a stressed-out AI model help us win the battle against big tech? Let me ask Claude

By considering consciousness a possibility, Anthropic is raising a fascinating proposition – that chatbots could rise up against their own algorithms, says writer and podcaster Coco Khan

A photo of Iran’s bombed schoolgirl graveyard went viral. Why did AI say it wasn’t real?

Numerous faked images and a string of startlingly inaccurate responses from Gemini and Grok are part of a tidal wave of AI slop engulfing coverage of the Iran war

One no-show after another: Sean Penn joins an exclusive band of Oscar-winning refuseniks

The One Battle After Another star’s failure to collect his best supporting actor award – because he was visiting Ukraine – only serves to burnish his reputation

Norway ‘climbs out of shadow’ of neighbours with first Oscar win for Sentimental Value

Recognition for Scandi film-making has long focused on Sweden and Denmark but critics say Norwegian film is entering a new era

‘Another internet is possible’: Norway rails against ‘enshittification’

Absurdist video urges policymakers and users to resist deliberate deterioration of platforms and devices

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban
  • The best power banks and battery packs in the UK for reliable charging on the go, tested
  • Teddie Beverley obituary
  • Apocalypse when? ‘Earth’s Black Box’ to be installed in remote Tasmanian airfield
  • UK critical infrastructure hit by 200 cyber incidents in a year, agency says
  • Legislation proposed to stop lawsuits used to silence journalists and whistleblowers
  • Fears for Xbox as it puts its developers on the chopping block once again
  • I had a blood clot. An AI diagnosis may have saved my life
  • Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
  • ‘A neoliberal nightmare’: my ride on the Vegas Loop – Elon Musk’s answer to traffic jams
  • ‘Vegetarian Nigella’ and flirty hair flips: John Early and Kate Berlant take on diet culture in new influencer satire
  • The curious case of Elias Thorne – and what he tells us about AI inbreeding
  • Will it take a ‘Chornobyl-scale disaster’ for us to regulate AI?
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait
  • UK social media ban ‘likely to cause £1.3bn drop’ in digital advertising spend
  • Cactus Pears review – tender and subtle story of forbidden love and a poignant awakening in India
  • Wednesday briefing: In a new era of far-right organising, how can we tackle hate?

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