Richard Hartley

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Ida wins Oscar for best foreign language film

Paweł Pawlikowski’s film about a novice nun in the 1960s who discovers she is Jewish becomes first Polish film to win award

Cars, drugs and virginity tests dominate Iranian film festival

Tehran’s Fajr film festival, which marks the anniversary of the Islamic revolution, has ditched weighty themes in favour of populist blockbusters

Fifty Shades of Grey so dominates global box office it could whip Mamma Mia!

Universal’s titillator claims several eastern-European records en route to $237.7m worldwide

Dancing in Jaffa review – documentary waltzes and tangoes for peace

Hilla Medalia captures ballroom dancer Pierre Dulaine as he uses fancy footwork to bring together Palestinian and Jewish children

DVDs and downloads: Middle of Nowhere, Enemy, Scoop, Magic in the Moonlight and more

Selma wasn’t the first remarkable film made by Ava DuVernay

Berlin 2015: Diary of a Chambermaid review – up the garden path, but elegantly

Peter Bradshaw: The classic novel of below-stairs power struggles has become a strangely directionless study of bourgeois desperation, despite a fine central performance from Léa Seydoux

Oscars 2015: what will win best foreign language film?

The Academy creeps towards world cinema credibility with a slate of acclaimed nominees, from Pawlikowski’s wistful Ida to short story collection Wild Tales

Trash review – ‘Slumdog Millionaire meets City of God’

Stephen Daldry’s tale of Rio street kids has grit, humour and outstanding performances from its young cast, writes Mark Kermode

Pelo Malo review – coming of age in Caracas

A mother and son face personal crises amid inner-city turmoil in Mariana Rondon’s vibrant drama, writes Mark Kermode

‘Anti-Putin’ Oscar nominee Leviathan gets wide Russian release

Andrei Zvyagintsev’s film has been subject to fierce official criticism for its portrayal of modern Russia and cold-shouldered by state TV – but the controversy has stoked local interest

Ida director Pawel Pawlikowski stands ground against complaints of historical inaccuracy

The Polish director, whose film has two Oscar nominations, has said the furore about Ida’s clarity on Holocaust history is ‘absurd’ and ‘too silly to comment on’

Pelo Malo (Bad Hair) review – quietly perceptive Venezuelan drama

Mariana Rondón’s tale of the tense relationship between a mother and son has dark undertones, writes Mike McCahill

I Am Yours review – delicately etched Nordic drama

Amrita Acharia is impressive as a Norwegian-Pakistani caught between different worlds, writes Leslie Felperin

Appreciation: Francesco Rosi 1922-2015

Ed Vulliamy remembers the master film-maker, whose thrillers exposed the murky twists and turns of Italian politics and crime

Paper Souls (Les âmes de papier) review – supernatural comedy with hints of Woody Allen

A writer of funeral orations is visited by a ghost in a fantasy that’s cliched but occasionally poignant, says Mark Kermode

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Thirsty and power hungry: Australia is in the middle of a datacentre boom – but not everyone is convinced
  • Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
  • Condemned to plutocracy? The relentless rise of US inequality
  • Brands using AI-generated influencers to promote products on social media
  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week

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