Peter Bradshaw: The classic novel of below-stairs power struggles has become a strangely directionless study of bourgeois desperation, despite a fine central performance from Léa Seydoux
The Academy creeps towards world cinema credibility with a slate of acclaimed nominees, from Pawlikowski’s wistful Ida to short story collection Wild Tales
Andrei Zvyagintsev’s film has been subject to fierce official criticism for its portrayal of modern Russia and cold-shouldered by state TV – but the controversy has stoked local interest
The Polish director, whose film has two Oscar nominations, has said the furore about Ida’s clarity on Holocaust history is ‘absurd’ and ‘too silly to comment on’