Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

The Measure of a Man review – tough and compassionate

Supermarket security guard Thierry is briefed to spy on his colleagues in this subtle character study from Stéphane Brizé

Mon Roi review – histrionic French drama

A portrait of a destructive relationship is burdened by a redundant subplot

Laia Costa: ‘We were doing this scene the whole night and in the end we couldn’t stop’

The Spanish star of German one-take thriller Victoria on the challenges of making the film, and why cinema needs more strong women

Victoria; Spotlight; The Big Short; The Assassin; Dirty Grandpa; Mavis!; Eat Your Bones – review

Love blossoms at double-quick speed in this amazing one-take heist thriller, while Spotlight celebrates the merits of listening

Mustang review – teen tension in Anatolia

Deniz Gamze Ergüven’s debut is an accomplished study of what it means to be young and female in Turkey

Rester Vertical review – exercise in myth-making and sexual adventure fails to stay upright

French director Alain Guiraudie’s follow-up to The Stranger by the Lake is wearyingly self-indulgent and a real disappointment

Arabian Nights: Volume 2 – The Desolate One review – a portrait of Portugal

A dreamlike tour of a nation from director Miguel Gomes, with guides including a cow and a dog

Arabian Nights, Vol 2: The Desolate One review – austerity-age cinematic poetry

In the second serving of Miguel Gomes’s potent trilogy, Scheherazade narrates tales of a killer turned folk hero, judicial madness and a stray dog

Quo Vado? review – Italian smash fails to grab

This vehicle for Italian comedy star Checco Zalone about a government official sent to the Arctic never quite convinces

Son of Saul review – a stunning, excoriating Holocaust drama

László Nemes’s debut, about a prisoner at Auschwitz forced to work in the gas chambers, dramatises the concentration camps with great intelligence, seriousness and audacity

Arabian Nights Volume One: The Restless One review – fact meets folk tale

The Thousand and One Nights proves a rich source of inspiration for this heady mix of documentary, magic realism and satire

Our Little Sister – touching family drama

Hirokazu Kore-eda’s story of siblings reunited has charm and hidden depths

The Brand New Testament review – holy fantastical irreverence

In this unruly Belgian satire, God is a sadistic, filing-fixated resident of Brussels

The Absent One review – diverting potboiler for Scandi noir completists

An unlikely detective duo delve into a double murder, and crime film cliche territory, in the second part of this Danish thriller trilogy

Dheepan review – a crime drama packed with epiphanic grandeur

Jacques Audiard’s confident Palme d’Or-winner has a rare and keen interest in its characters – a trio of Tamil refugees in Paris – and an exhilarating mastery of style

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Brands using AI-generated influencers to promote products on social media
  • Film producer’s 50 firms struck off companies register, leaving workers unable to chase fees
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app

Contact www.richardhartley.com   Terms of Use