Richard Hartley

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Iranian director Mohammad Rasoulof sentenced to eight years in prison and flogging

Rasoulof is one of Iran’s leading directors and his film The Seed of the Sacred Fig is due to premiere at Cannes film festival

Blackbird Blackbird Blackberry review – a beguiling tale of midlife love from Georgia

Eka Chavleishvili is superb as an unmarried fortysomething woman whose life is turned upside-down by romance in Elene Naveriani’s handsome drama

Nezouh review – magic realism amid the ruins of Damascus under siege

Soudade Kaadan’s poetic tale of family life in the bombed-out Syrian capital is visually poetic, if a touch too theatrical

Nezouh review – magical realism under shelling during Syria’s civil war

Soudade Kaadan’s second feature is a sweet-natured and beautifully photographed portrait of a grumpy middle-aged guy, his sceptical wife and their teenage daughter

The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

There’s Still Tomorrow review – empowering tragicomedy about an abused wife in postwar Rome

This bold, bittersweet tale of spousal violence, directed by and starring Italian national treasure Paola Cortellesi, topped the country’s box office last year

If Only I Could Hibernate review – a teenager faces tough choices in chilly Mongolia

There’s an earthy authenticity to Zoljargal Purevdash’s story of a gifted student from a poor family

If Only I Could Hibernate review – Mongolian maths whiz aims to escape biting cold

A tented district of Ulaanbaatar is the backdrop as a gifted student with a chance to succeed and move away finds himself having to care for his siblings

Lineup announced for UK’s inaugural Muslim international film festival

Featuring stars including Riz Ahmed and Nabhaan Rizwan, the event aims to celebrate the ‘rich tapestry of Muslim experiences via the medium of film’

Close Your Eyes review – melancholy magic as Víctor Erice addresses his own enigmatic legacy

The Spanish director of 1973’s The Spirit of the Beehive returns with only his fourth feature, a beguiling if overlong tale of a missing movie actor

Opponent review – impressive drama about an Iranian refugee in limbo in Sweden

A wrestler and his family flee Iran for Sweden when rumours about his sexuality grow in Milad Alami’s intimate portrait of a man whose life is on hold

The Teachers’ Lounge review – a masterclass in playground politics

A teacher’s intervention in a spate of thefts upsets the balance of her school in Ilker Çatak’s taut, Oscar-nominated drama

Evil Does Not Exist review – slow-burning eco-parable

A proposed glamping site threatens a widower’s tranquil existence in Ryûsuke Hamaguchi’s strangely compelling hymn to nature

Io Capitano review – Matteo Garrone’s wrenching migrant drama is unexpectedly beautiful

Seydou Sarr is wonderful as a 16-year-old Senegalese migrant who maintains his empathy and selflessness through a hellish journey to Europe

‘As with all such moments, there are innocent victims’: Marco Bellocchio on his new film about the notorious kidnapping of a Jewish child

The octogenarian director, whose latest film dramatises the 19th-century abduction of Edgardo Mortara by the Vatican, has been plumbing the depths of the Italian psyche on screen for the past 60 years – and worries for the future of cinema

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Can a $159 Bluetooth sleep mask help you snooze better? I tested to find out
  • How Belfast knife attack became the latest far-right ‘trigger event’
  • Crackdown on tech platforms will go ahead despite US intervention, says No 10
  • Peabo Bryson obituary
  • Disclosure Day review – close encounters of a deferred kind in Spielberg’s conspiracy spectacular
  • ‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras
  • All signs point to Trump pushing AI growth
  • UK regulator orders social media firms to adopt measures to stop viral illegal content
  • Amazon’s main UK arm handed £7.6m tax credit as profits soar to £355m
  • I watched as Meta’s threats stopped Sarah Wynn-Williams from speaking – we must have stronger rights for whistleblowers
  • Bank of England warns of AI scams as deepfakes of Farage-Bailey fight spread
  • Think Musk the billionaire was bad? Brace yourself for Musk the trillionaire
  • ‘A man of great appetites’: what’s it like to be a dictator’s personal chef?
  • Signal One review – Dennis Quaid and David Thewlis ballast high-concept, low-risk first contact yarn
  • White House urges UK not to ban social media for under-16s
  • Pink Narcissus review – garish colour and dreamlike images in a homoerotic vision of 60s New York
  • Doctors and NHS could be sued for mistakes made by AI tools, report warns
  • Let this be a warning – if Europe worries about Trump, it has even more reason to fear JD Vance
  • Tuesday briefing: Is a social media ban in the UK enough to help protect young people?
  • World’s first wind-powered underwater datacentre starts operating in China
  • French star Patrick Bruel held by police investigating new sexual assault allegations
  • Plan for AI legal assistants in England and Wales ‘cannot replace funding and staff’, lawyers say
  • Child sexual abuse victims in England and Wales to get help to remove online images
  • OpenAI confidentially files for initial public offering on US stock market
  • Apple debuts revamped ‘Siri AI’ and new child safety features for iPhones and iPads
  • The Guardian view on children and the internet: rolling back big tech’s untrammelled power
  • Rushed social media ban for under-16s in UK could ‘unravel’, charity warns
  • Child phone nudity law could largely end online child sexual abuse if widely adopted, Jess Phillips claims – as it happened
  • Revealed: the ‘less lethal’ weapons Australian police don’t want you to know about
  • If Australian datacentres are going to power the AI revolution, we deserve a fair return

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