Richard Hartley

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Insyriated review – horror of home life in Syria

A mother tries to protect her family from gunfire in this tense thriller that’s difficult to watch

Tramontane review – on the right path

A blind musician tries to trace his ancestry in this Lebanese road trip

Insyriated review – claustrophobic drama from the heart of the Syrian war

This brutally tough but absorbing film is set in a Damascus apartment in which a family with a tragic secret have barricaded themselves

Back to Burgundy review – sweet but unsatisfying family drama

Structural flaws let down Cédric Klapisch’s tale of siblings who return to run the family vineyard when their father dies

Zama review – Lucrecia Martel emerges from the wilderness with a strange, sensual wonder

After a nine-year absence, the Argentinian director returns with an audacious and antic tale set in a 18th-century colony on the Asuncion coast

Hotel Salvation review – redemption on the banks of the Ganges

Father and son face up to mortality in this beautiful debut feature from a young Indian writer-director

Children of the Mountain; Adama; Layla Fourie and more – review

There’s a wealth of African film on demand through Okiki and Mubi, from stirring drama to moral thrillers

Mimosas review – Moroccan mountain trail movie maintains enigmatic air

Shot with non-professionals on location in the Atlas mountains, this dreamy, beautifully shot parable has been compared to Aguirre: The Wrath of God

Hotel Salvation review – life, death and marijuana-laced lassis in trippy Indian arthouse flick

Shubhashish Bhutiani’s comedy-drama about an Indian businessman embarking on a final journey with his father is smart, spellbinding and achingly relatable

La Soledad review – a flower of a film amid the ruins of Caracas

This parable about the crumbling economy and desperate people of Venezuala, has the hypnagogic rhythms of an Apichatpong Weerasethakul film

The Untamed review – a film about love, pleasure and a tentacular sex monster

This sly and subversive allegorical body horror from the Mexican director of Heli is about the universal drives and addictions that power us all through life

Le Doulos review – Jean-Pierre Melville’s brilliant but moody tough-guy drama

Jean-Paul Belmondo plays a safe-cracker in this distinctive, ruminative take on tough-guy archetypes and genre conventions, from 1962

Shin Godzilla review – Japan’s great monster rises from the deep once more

The giant of the deep rises to terrify humanity, destroy buildings and give the bureaucrats something to deliberate

Tom of Finland review – intriguing biopic of a gay liberation hero

Pekka Strang stars as the Finnish wartime artist Touko Laaksonen, whose homoerotic illustrations helped create the iconography of gay culture

Jean-Pierre Melville: cinematic poet of the lowlife and criminal

The French resistance fighter turned film-maker had an instinctive sympathy for the outsider, and remodelled the crime thriller into something studied, cool and subversive

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

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  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
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  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
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  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
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  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
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  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
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  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls

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