Richard Hartley

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Mountains May Depart review – our friends in the east

A love triangle unfolds over three decades in this intriguing Chinese melodrama

Youth review – Chinese dancers endure fall-outs, heartache and burst blisters

Feng Xiaogang’s sprawling drama lays on the Spielbergian syrup and covers swaths of China’s history in broad brushstrokes – but it carries a potent message

Bingo: The King of the Mornings review – hectoring tale of porn star turned clown

Daniel Rezende’s version of the life of Brazil’s Bozo takes the myth for granted and is guilty of some lazy screenwriting tricks

The 50 top films of 2017 in the UK: No 7 Toni Erdmann

Continuing our countdown of the year’s finest films, Catherine Shoard celebrates an audacious German comedy packed with flabbergasting set-pieces

Blade of the Immortal review – bloodshed and birdsong

Takashi Miike’s samurai slasher has both elegiac and witty moments but the gore does tend to bore…

Menashe review – intensely emotional tale of a widower’s grief

A Yiddish drama set in a Hasidic Jewish community unpicks patriarchal power politics with a powerful central turn from non-professional Menashe Lustig

Blade of the Immortal review – spectacular corpses and an undead samurai

Takashi Miike’s surreally violent action movie based in Hiroaki Samura’s long-running manga may not be his best work but is brutally dramatic

The Braddies 2017: Peter Bradshaw nominates his films of the year

The Guardian’s film critic presents his shortlist of the year’s movies, directors, actors, writers and screenplays he considers most awards-worthy

100 not out: Takashi Miike joins the world’s most prolific directors

The Japanese director is known in the west for ultraviolence and boundary-pushing gore, but he has honed his craft in genres including family films to reach this career landmark

The poisonous dispute over Indian film Padmavati mustn’t spill over into the UK

Threats against British cinemas won’t be tolerated, and the Indian government must know that, writes Sunny Malik, a UK-based social media manager focusing on Bollywood

Heartstone review – fervent teen sexuality drama

This long, Iceland-set debut steams with suppressed emotion as two teenagers explore a dawning relationship

Fireworks review – anime romance sparkles with strangeness

This disorientating teen tale – think Japan’s answer to Sliding Doors – follows the divided destinies of three characters in wholly un-Hollywood style

A Caribbean Dream review – Shakespeare goes to carnival

Shakirah Bourne’s tender-hearted adaptation of A Midsummer Night’s Dream is a refreshingly low-key palate cleanser with plenty of time for its older characters

Félicité review – gritty story of Kinshasa bar singer

Véro Tshanda Beya Mputu plays a mother scratching a living in the Congolese capital in Alain Gomis’s dramatic, compassionate study

Perfect Blue review – cult anime pushes teenage girl over the edge

Satoshi Kon’s 1997 exploitation movie about an ex-pop star and her stalker still packs a punch, but certain scenes are extra uncomfortable in the Weinstein era

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute

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