Richard Hartley

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Western review – pastoral culture clash makes for year’s best film

Valeska Grisebach’s striking drama – about foreign construction workers angling for trouble in rural Bulgaria – constantly subverts genre expectations

From Nosferatu to The General – why the 1920s is my favourite film decade

Chaplin and Keaton made millions laugh, but silent cinema’s greatest classics were the fruit of wild European fancy … and then Hollywood invented the talkies

Cake review – Karachi sister act ditches melodrama for real life

Asim Abbasi’s assured debut about a pair of siblings reunited around their father’s sickbed is richly realised

From The Naked City to Double Indemnity – why the 1940s is my favourite film decade

War changed everything, destroying whole film industries and heralding a new era of realism, grit and shoots on location

Have a Nice Day review – unsparing portrait of post-communist society

Dark comedy meets violence in this Chinese animation about a ragbag of characters linked by a stolen bag of cash

Have a Nice Day review – elegantly animated gangster lowlife

Telling detail and offbeat humour abound in Liu Jian’s wittily drawn, Tarantino-esque flick

I Got Life! review – French heart-warmer explores a mother’s lot

A thread of optimism runs through this comedy starring Agnès Jaoui, in which the travails of Aurore resolve somewhat predictably

​Sajjan Singh Rangroot review – Sikh first world war drama has mud and guts

A commemoration of British Indian army soldiers directed by Pankaj Batra is solid if undemanding viewing

My Golden Days review – rich, fluent exploration of student love

Arnaud Desplechin’s film about the unbearably sweet nature of remembered youth only now finds a UK release

The Divine Order review – Swiss suffragettes on the march in feelgood comedy

The humour may be broad, but there’s no denying the power of this story in which a housewife finds liberation in 1970s Switzerland

A Fantastic Woman wins best foreign language film at Oscars 2018

The Chilean drama, featuring transgender actor Daniela Vega, prevailed at the Academy Awards over Swedish entry The Square and Russian drama Loveless

The Nile Hilton Incident review – satirical, Cairo-set noir thriller

Inspired by the real-life murder of an Egyptian singer, Tarik Saleh’s drama is also an anatomy of the corruption that led to the Tahrir Square uprising

A Fantastic Woman review – sublime study of love, loss and the trans experience

Daniela Vega is wonderful as a young trans woman whose life is turned upside down when her older cis lover dies in ambiguous circumstances

In the Aisles review – Toni Erdmann star graces engrossing workplace drama

Sandra Hüller shines in an intriguing fable about a giant supermarket, in which she plays a sweet counter manager with a fondness for a forklift driver

Mug review – metalhead meets giant Jesus in peculiar Polish comedy

A hard-rocking Polish builder is injured while working on a towering statue of Christ in a scabrous and strangely affecting drama

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute

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