Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Jeune Femme review – down and out of sorts in Paris

Laetitia Dosch gives a powerful performance in this affecting drama about a young woman going through an extreme emotional crisis

Asako I & II review – Japanese romcom flips the gaze to tell the same old story

Ryūsuke Hamaguchi’s earnest romance switches things up by having a woman obsessed with a man’s beauty and then falling for his double

Shoplifters review – family of thieves steal moral high ground – and hearts

As a ne’er-do-well group keep a child they have found, Hirokazu Kore-eda’s poignant drama asks, who is winning?

Sir review – sexual tension brews in Mumbai

Social taboos and the status of women form the focus of a delicately observed drama about the relationship between a wealthy man and his maid

Happy as Lazzaro review – beguiling fable of golden, rural Italy trampled by modernity

Cannes award-winner Alice Rohrwacher’s follow-up to The Wonders is a sun-scorched, time-bending tale of a tobacco magnate and a village of sharecroppers

Climax review – Gaspar Noé’s satanic dance-troupe freak-out of sex and despair

The new film from the Irrevérsible director is a woozy, day-glo horror story of a dance troupe who drink alcohol spiked with LSD

Woman at War review – pylon-slayer faces adoption challenge in quirky Icelandic eco-drama

Benedikt Erlingsson’s follow-up to Of Horses and Men is a well-performed and stylish oddity, even if it relies too heavily on self-conscious comic effects

Ash Is Purest White review – Chinese gangster’s girlfriend saga burns bright

Jia Zhang-ke’s latest is an often glorious drama about how one woman’s journey from self-sacrificial moll to avenging criminal echoes her country’s embrace of capitalism

The Poetess review – Saudi poet’s reality TV breakthrough … and backlash

This entertaining documentary about Hissa Hilal, the first female finalist on the wildly popular Million’s Poet, reflects on her dazzling smackdown and the death threats that followed

Cold War review – wounded love and state-sponsored fear in 1940s Poland

Ida director Paweł Pawlikowski’s exquisitely chilling Soviet-era drama maps the dark heart of Poland itself

Donbass review – freakish fake-news kaleidoscope of Ukrainian civil war

Filled with the violence and Orwellian unreality ruling eastern Ukraine, Sergei Loznitsa’s feverish procession of scenes is handled with steely control

Leto review – wistful throwback to Soviet rock rebellion

Kirill Serebrennikov, currently under house arrest in Russia, mines his own past for this love triangle set in the 1980s Leningrad demi-monde of western-rock connoisseurs

The Wild Boys review – uninhibited, deeply bizarre sex-swap drama

Bertrand Mandico’s feature about a group of entitled boys punished after a rape doesn’t answer all of the questions it asks

Rafiki review – groundbreaking lesbian romance aims to change Kenyan hearts and minds

Banned in its home country, Wauri Kahiu’s tale of two teenagers’ secret relationship is a fine – if conventional – depiction of the first flush of love

Birds of Passage review – Ciro Guerra takes the mob epic to tribal Colombia

The director’s follow-up to Embrace of the Serpent is a sprawling tale of drugs, dowries and indigenous traditions

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns

Contact www.richardhartley.com   Terms of Use