Richard Hartley

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Birds of Passage review – powerful Colombian drug trade saga

An indigenous family are torn apart by the marijuana boom

The Wild Goose Lake review – Diao Yinan’s shady lady noir is no quacker

The Chinese director’s followup to his Berlin-winning 2014 drama proves absorbing, original – and psychologically limited

Joan of Arc review – child warrior on the march in an absurdist pageant

Lise Leplat Prudhomme has undoubted charisma as the doomed heroine, but Bruno Dumont’s dead-straight biopic is passionless and exasperating

Atlantique review – African oppression meets supernatural mystery

Mati Diop’s feature debut forces young Senegalese lovers to choose between love, duty and servitude, then adds a surreal twist

Les Misérables review – savvy cop procedural swerves into molotov mayhem

Ladj Ly’s debut feature is a police drama set in a tough Paris suburb that loses subtlety as it erupts into violence

Birds of Passage review – dark odyssey to the heart of the drugs trade

Ciro Guerra’s poetic – and shocking – drama about marijuana trafficking in Colombia digs deep into the culture of the indigenous people involved

Cannes 2019: the top 10 must-see films

Jim Jarmusch’s starry zombie horror opens, Quentin Tarantino returns and rising director Alice Furtado makes her debut

‘Feel free to nod off!’ Meet the DIY directors of wild screwball comedy Diamantino

It’s got giant frolicking dogs, a cloned soccer star, and it was made with the help of YouTube special effects tutorials. We meet the boundary-busting duo behind football fantasy Diamantino

Diamantino review – delightfully daft football fantasy

A disgraced world-class striker’s life descends into chaos as he adopts a child refugee, becomes a vote-leave poster boy – and gets cloned by the government

Cannes festival 2019: full list of films

All the films screening at the 72nd edition of France’s celebrated film festival

Ash Is Purest White review – epic outlaw romance in a changing China

A resilient gangster’s moll burns with misguided love in Jia Zhangke’s melancholy drama

Styx review – refugee dilemma tests moral compass

Should a lone yachtswoman act when authorities tell her to sail away? Wolfgang Fischer’s drama steers into Europe’s migrant crisis with conviction

The World Is Yours review – brash Franco-crime caper

Isabelle Adjani and Vincent Cassel star in a carnivalesque romp peopled by the chancers and artful dodgers of France’s immigrant underclass

Say what? Why film translators are in a war of words over subtitles

Clumsy and insensitive translations can ruin the enjoyment of a foreign-language film. Don’t blame us, say the subtitlers pressing film-makers for more appreciation of their art

Maborosi review – Kore-eda’s revelatory story of life after death

Hirokazu Kore-eda’s sombre 1995 debut is a hallucinatory meditation on grief and memory

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype

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