Richard Hartley

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The Perfect Candidate review – powerful insight into Saudi absurdity

Haifaa al-Mansour, the first Saudi woman to direct a feature, goes back to basics with an effective story of a doctor trying to enter politics

Aniara review – a eerily mesmerising outer-space odyssey

Disaster leaves a public spacecraft adrift and its social order on the brink of breakdown in this cleverly pertinent sci-fi chiller

Streaming: is the Brazilian film Araby the movie of the decade?

A Brazilian road movie that’s been wowing critics for two years finally makes its UK debut

A Faithful Man review – drearily frothy French romcom

The female objects of desire in this disappointing ménage à trois comedy by Louis Garrel are more fantasies than characters

Transit review – taut German thriller

A 1940s tale of refugees, riot police and stolen identities

Djon África review – globetrotting quest yields warmth and wonder

Miguel Moreira’s Portuguese idler travels to Cape Verde to find his dad in in this meandering, lusciously shot drama

Transit review – brilliant existential thriller works like a dream

In Christian Petzold’s superbly deft drama, a fugitive steals someone else’s identity with deeply disturbing results

Gaza review – heartfelt chronicle of life under political siege

This sombre, angry documentary captures a sense of ordinary life in the strip bordered by Egypt, Israel and the sea

Opus Zero review – Willem Dafoe’s no Columbo in auteurist mystery

Dafoe adds watchability in this story of a composer obsessed with a long-ago disappearance, but this arthouse drama feels like a misstep

Oldboy review – a beautifully blood-spattered modern classic

Limbs, teeth and live octopuses all come in for unblinkingly brutal treatment in Park Chan-wook’s stunning revenge epic

Une Femme Douce review – Bresson’s transcendent reflection on marriage

The French director’s 1969 spectacle about the wife of a pawnbroker who kills herself is still difficult, devastating and captivating 50 years on

The Candidate review – corruption and paranoia at the Spanish seaside

Antonio de la Torre is magnetic as a politician at the centre of a web of betrayal in Rodrigo Sorogoyen’s slow-burn thriller

Holiday review – an unlovely sojourn around the twisted male psyche

Sex, violence and alpha-male malice collide with sickening consequences in Isabella Eklöf’s unflinching directorial debut

Hard Paint review – sex, lies and webcams in Brazil’s underworld

A lonely man young facing jail time strikes up an unlikely connection in this absorbing but exasperating urban drama

The Chambermaid review – maid to measure

The debut feature by Mexican director Lila Avilés is a masterpiece of restraint

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype

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