Richard Hartley

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Echo review – a mesmerising mosaic of Icelandic festivities

Universal themes are enlivened with local detail in this poignant, painterly compilation of 56 single-shot vignettes

Mortal review – angsty Norse gods leave you praying for the end

A troubled youngster learns to channel his superpowers in this by-the-numbers fantasy. But the scenery is great

Papicha review – repression and rebellion in war-torn Algeria

A fashion student kicks back against misogyny and religious extremism in Mounia Meddour’s ambitious directorial debut

#MeToo and pin badges: how Tomboy beat the odds at South Korea’s box office

Céline Sciamma’s 2011 sophomore effort has become an unlikely hit thanks to South Korea’s own feminist reckoning – and the clever use of merchandise

The Good Girls review – a high-class skewering of Mexican decadence

Ilse Salas is sublime as a moneyed idler whose white-picket world is plunged into chaos by the Mexican financial crisis

Coincoin and the Extra-Humans review – fuzz, sludge and lewd laughs

Bruno Dumont continues his reinvention as a master of farce with this semi-satirical tale of alien goo and buffoonish cops

Once There Was Brasília review – sci-fi odyssey into Brazil’s murky politics

An intergalactic refugee travels through time to modern-day Brazil in an eerie tale that has real-life corruption at its heart

Buñuel in the Labyrinth of the Turtles review – animated odyssey

Film-maker Luis Buñuel’s surreal journey to a deprived region of Spain in the 30s is recreated in a gently engaging animation

The Portuguese Woman review – elegant, unworldly tale of courtly discontent

A 16th-century noblewoman awaits her husband’s return from war in a stately, highly wrought drama etched with refinement and intelligence

Dreambuilders review – blandly bright family animation

A young girl discovers she can infiltrate her snippy stepsister’s dreams in this unengaging adventure for kids

Landless review – Brazilian land-access doc doesn’t dig deep enough

A visually sharp film about the struggle of worker-activists against ruthless agribusiness fails to engage on the issues

In Her Hands review – all about the musical boy genius, again

A sulky young pianist is talent-spotted at a Paris station in this dull drama that is enlivened by Kristin Scott Thomas and the charismatic Karidja Touré

Litigante review – tender tale of private lives and public scandal

A quirk of fate pitches a professionally stressed single mother into an unlikely love affair in an affecting drama from Colombia

A White, White Day review – a tender Icelandic thriller

A widower and his young daughter are all at sea in Hlynur Pálmason’s existential drama

A White, White Day review – spiralling rage and stunning force

A recently bereaved policeman suspects a friend of adultery with his now-dead wife in this edge-of-seat psychological drama-thriller

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • How Refugee Week film festival brings migrants’ experience home
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • UK attorney general tells department to stop using X amid disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban

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