Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

The Hand of God review – Paolo Sorrentino exposes his childhood trauma

Going back to Naples and the disaster that changed his life, The Great Beauty director evokes his adolescence with bawdy vigour

Parallel Mothers review – Almodóvar delivers Venice film festival a little bundle of joy

Pedro Almodóvar and Penélope Cruz open the festival with a boisterous, warm-bodied swapped-at-birth melodrama about two single women who meet in a maternity ward

Shorta review – Danish urban thriller gets the heart pumping

Two cops are stranded in hostile territory when an act of police brutality triggers a riot in this slick action film

Visit, or Memories and Confessions review – Manoel de Oliveira’s remarkable testament

The Portuguese director’s stately cine-memoir about his singular life was shot nearly four decades ago but withheld at his request until his death, aged 106

Souad review – teen life in the modern Middle East

Two Egyptian sisters experience the highs and lows of a permissive lifestyle in Ayten Amin’s sensitive drama

Streaming: The Father and other films about dementia

Florian Zeller’s heart-rending film The Father is the latest in a spate of recent works tackling the condition and its effects on the family

West Side Story, a Sopranos prequel and Bond: the best films to see in autumn 2021

Spielberg revamps Bernstein, young Tony is lured by the mob, Phyllida Lloyd tackles spousal abuse, Top Gun returns – and Daniel Craig calls time on 007 with bangs galore

Underground review – mine explosion disaster film digs deeper than most

French-Canadian director Sophie Dupuis puts human drama ahead of the action in this naturalistic, character-driven film

Wildland review – Sidse Babett Knudsen excels in lean, mean Danish drama

This tense thriller showcases Knudsen as a fearsome matriarch who adopts her orphaned niece – but not without a price

The Cloud in Her Room review – exquisite slow-burn study of a quarter-life crisis

Chinese film-maker Zheng Lu Xinyuan makes her debut with a dreamlike distillation of a young woman’s alienation from family and friends

Beasts Clawing at Straws review – jet-black comedy in arch Korean thriller

A long-suffering sauna worker finds a bag stuffed full of cash in a crime caper with perfectly pitched performances

True Stories: Spaces review – impressive short docs from folk horror to a Lebanese marvel

This short film collection from the True Story platform ranges across continents to look at how we interact with our environments

The Fever review – dreamy film about a mysterious illness in Brazil

Maya Da-Rin’s subtle, poetic debut engages with the hidden lives of the Desana people of Brazil

All Hands on Deck review – fresh and funny French holiday romance

A romantic surprise has unexpected consequences in a gentle comedy channelling Éric Rohmer crossed with Carry on Camping

The Psychic review – Lucio Fulci’s ravishing giallo thriller with nasty taste for violence

Jennifer O’Neill stars as a fabulously dressed clairvoyant in Fulci’s revived 1977 thriller that looks amazing, even if the sexual politics are dodgy

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • SpaceX overtakes Amazon as world’s fifth biggest company
  • France to ditch Palantir’s AI data tools in favour of domestic provider
  • UK defence spending plan ‘well short of what’s required’ and harder choices needed, says John Healey – as it happened
  • Cate Blanchett promises ‘creative rumpus’ in new role: Oxford professor
  • Abdullah Ibrahim obituary
  • Toy Story 5 review – Pixar franchise needs new batteries
  • UK social media ban could cut lifeline for disabled children, campaigners warn
  • Tom Holland confirms that he and Zendaya are married
  • How the fight over US datacenters is scrambling this state’s politics: ‘We don’t want it’
  • Sean Penn to direct January 6 drama with Bradley Cooper set to star
  • ‘Don DeLillo gave me his blessing’: film director Ben Rivers on how fan mail from the Underworld author led to his latest work
  • Elon Musk’s unprecendented accumulation of wealth
  • ‘What an adventure Broadway will be!’ Paddington musical packs suitcase for New York
  • Russell Crowe says Gladiator II failed because ‘it didn’t have a moral core’
  • Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
  • ‘David Bowie was a crazy workaholic’: Labyrinth at 40 – an oral history
  • The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama
  • ‘He experienced a full life of trauma’: documentary explores troubled tale of Gregg Allman
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert

Contact www.richardhartley.com   Terms of Use