Richard Hartley

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Master Cheng review – soupy tale of a Chinese chef in smalltown Finland

The dubious locals are won over by a Shanghai widower’s cooking in this hokey but soothing story of acceptance

The Metamorphosis of Birds review – poetic Portuguese documentary

A father and daughter are united by the absence of their mothers in Catarina Vasconcelos’s contemplative debut feature

Great Freedom review – powerful gay​​ prison drama​ ​set in postwar Germany

A concentration camp survivor is incarcerated for decades for his sexuality in this nonlinear film with a remarkable performance from Franz Rogowski

La Civil review – compelling cartel kidnap drama with a vérité edge

Teodora Miha imbues this harrowing tale of a mother’s search for justice with a documentarian’s gaze, in a solidly made descent into every parent’s worst nightmare

Streaming: the best Ukrainian films past and present

The embattled nation’s cinema is rich and distinctive, from 1929’s milestone Man With a Movie Camera to Sergei Loznitsa’s pitch-black comedy Donbass

The Last Journey review – Solaris-style sci-fi takes on astral body with Earth issues

French parable features a ‘red moon’ that provides Earth with fuel, but our last hope refuses a mission to destroy it

Rūrangi review – uplifting transgender tale set in rural New Zealand

A transgender activist returns to his farming community after a decade away, in a drama driven by the magnetic Elz Carrad

Gangubai Kathiawadi review – gutsy Indian true crime drama

The hard-hitting story of a sex worker who rises through the ranks of 60s gangland Mumbai is powered by a magnetic performance from Alia Bhatt

La Mif review – remarkable teenage care home drama

A cast of non-professionals give exceptional performances as fact meets fiction in this compelling drama with shades of The Class and Rocks

The Long Walk review – inventive Laotian horror of ghosts and time travel

A magnetic central performance from Yannawoutthi Chanthalungsy anchors Mattie Do’s excellently spooky tale of destructive hubris

La Mif review – girl power triumphs in dynamic care home drama

A cast of nonprofessional newcomers captivate in a realist drama reminiscent of Sarah Gavron’s Rocks

Women dominate Berlin film festival awards as Alcarràs wins Golden Bear

Best director prize, both acting awards and two of the three best film prizes were won by female film-makers, led by the Catalan-language drama

Human Factors review – tense and unnerving break-in drama

The brilliant Sabine Timoteo stars as an ad exec in Germany whose husband agrees to work for an anti-immigration party

Nine Days in One Year review – enduringly powerful Soviet nuclear power drama

Mikhail Romm’s dense tale of love – for people and for country – has lost none of its cold war potency in the 60 years since it was first released

Nobody’s Hero review – French sex satire is unsatisfying, flavourless romp

This weird social satire has various themes which director Alain Guiraudie seems unable to take seriously and be funny about

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Sean Penn to direct January 6 drama with Bradley Cooper set to star
  • ‘Don DeLillo gave me his blessing’: film director Ben Rivers on how fan mail from the Underworld author led to his latest work
  • UK defence spending plan ‘well short of what’s required’ and harder choices needed, says John Healey – UK politics live
  • Elon Musk’s unprecendented accumulation of wealth
  • Elon Musk’s unprecendented accumulation of wealth
  • ‘What an adventure Broadway will be!’ Paddington musical packs suitcase for New York
  • Russell Crowe says Gladiator II failed because ‘it didn’t have a moral core’
  • Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
  • ‘David Bowie was a crazy workaholic’: Labyrinth at 40 – an oral history
  • The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama
  • ‘He experienced a full life of trauma’: documentary explores troubled tale of Gregg Allman
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert
  • ‘What’s the opposite of a gay demon?’: The creepy new Australian horror film that’s getting global buzz
  • Man claiming to be One Nation branch official defended Hitler Youth and called Aboriginal people ‘stone age’ in racist posts
  • Spielberg’s Disclosure Day opens strongly at box office as Obsession, Backrooms – and Michael – smash records
  • Ian McKellen says he imagined destroying Mar-a-Lago for new Avengers movie
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought
  • How Australia’s social media ban has affected families six months on

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