Richard Hartley

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In Front of Your Face review – quiet cine-literate magic from Korean auteur

Hong Sang-soo’s effortlessly lo-fi approach brings out the gentle humanity in his story of an actor returning to her family

One Second review – Zhang Yimou’s censored love letter to cinema reels you in

Grief and pain go to the bone in the Chinese director’s simple, beautifully shot tale about an escaped prisoner and an orphan

Jean-Luc Godard: a genius who tore up rule book without troubling to read it

Godard was the inspired maverick of the French New Wave, the Lennon to Truffaut’s McCartney, and kept his radical imagination to the very end

Bloody Oranges review – bitter French comedy entertains but leaves a sour taste

A corrupt minister and a delusional pair of dance contestants are just two of the monsters of mediocrity who haunt Jean-Christophe Meurisse’s strange film

Both Sides of the Blade review – Claire Denis’s love triangle thriller lacks chemistry

Juliette Binoche and Vincent Lindon are both intense, except when they’re together, in a romantic drama weighed down by backstory

The Damned Don’t Cry review – mournful portrait of colonial tension

Fyzal Boulifa explores the decisions forced on a poverty-stricken Moroccan family in this vivid and powerful drama

Identification of a Woman review – Michelangelo Antonioni’s midlife crisis of a movie

Antonioni’s 1982 film, in which a sexually restless middle-aged film-maker auditions young women, feels dated but has pleasing flourishes

Love Life review – tangled and tragic human drama about chaotic life twists

Japanese director Kôji Fukada has crafted a richly painful and quietly comic human drama

Saloum review – slick gangster horror in wild west Africa

Director Jean Luc Herbulot dynamically weaves supernatural mystery into this gritty crime caper to produce a distinct and charismatic thrill ride

Amanda review – comic crises in the life of an entitled twentysomething

A wealthy young woman, friendless and lost after studying abroad, sets about recovering an old friendship she thinks she once had

Other People’s Children review – a heartfelt modern love triangle

This sweet, sad drama sees a teacher keen to be a mother bonding with her new boyfriend’s daughter, while dealing with the constant presence of his ex

Argentina 1985 review – rousingly-acted junta trial dramatisation

Ricardo Darin anchors this courtroom drama as the chief prosecutor bringing military leaders to justice for human rights abuse

Official Competition review – Penélope Cruz on fire in delicious movie industry satire

Cruz’s eccentric director employs unorthodox techniques to manage lead actors – and polar opposites – Antonio Banderas and Oscar Martínez

Queen of Glory review – gloriously low-key comedy of immigrant life

The trials of a Ghanaian-American woman and her family never overpower the deft emotional savviness of this low-budget tale

Her Way review – portrait of a sex worker shreds cinema’s cliches

Laure Calamy of Call My Agent! fame is mesmerising as a sex worker of a certain age in Cécile Ducrocq’s perceptive and humane feature debut

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Anti-Burnham fake news on Makerfield Facebook accounts has surged, report finds – UK politics live
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert
  • ‘What’s the opposite of a gay demon?’: The creepy new Australian horror film that’s getting global buzz
  • Man claiming to be One Nation branch official defended Hitler Youth and called Aboriginal people ‘stone age’ in racist posts
  • Spielberg’s Disclosure Day opens strongly at box office as Obsession, Backrooms – and Michael – smash records
  • Ian McKellen says he imagined destroying Mar-a-Lago for new Avengers movie
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought
  • How Australia’s social media ban has affected families six months on
  • ‘Loving our country sounds like an abused spouse saying they love their abuser’: Robert De Niro leads crowd in rallying cry against Trump
  • Social media firms hit back as Starmer announces ban for under-16s in UK
  • The man who bought Diane Keaton’s nail clippers also owns Whoopi Goldberg’s teapot: ‘It will have her fingerprints on it’
  • Disclosure Day: alien conspiracies, car chases and a jaw-dropping climax – discuss with spoilers
  • Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama
  • Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure
  • The problem with ‘loneliness influencers’ isn’t their friendlessness – it’s the air of cosy defeatism
  • Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter
  • ‘More relevant now than ever’: how Virginia Woolf recaptured the cultural zeitgeist
  • ‘Distressingly beautiful and disorienting’: the Willem Dafoe film that only one person can see at a time

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