Once

Rental and retail: A subtle, very offhand look at how music is made, how friendship can start and how the two may be intimately connected

The Conformist

Peter Bradshaw: Bernardo Bertolucci's gripping 1970 classic

The Edge of Heaven

Philip French: The use of coincidence need not cheapen drama, as this extraordinary, moving tale of two doomed affairs triumphantly proves

The Edge of Heaven

Peter Bradshaw: A bold and exhilarating film about immigrants finding their way in postwar Germany

Italian cinema’s sweet success

Federico Fellini's groundbreaking 1960 satire La Dolce Vita put Italian cinema firmly on the world stage with its tale of hedonistic excess. It thrilled critics but was condemned by the Vatican. Here Philip French explains why it is a European classic - and next week you can judge it yourself when The Observer gives the film away to readers

Still Life

Peter Bradshaw: A poignant record of a hidden sorrow in modern, powerhouse China

The Italian

Peter Bradshaw: Russian heart-tweaker about an orphan's search for his mother

El Violin

Philip French: The feature debut of documentarist Francisco Vargas includes a majestic performance by 84-year-old musician Don Angel Tavira