Séraphine

This is a measured, soulful and tactile work; a film with gouache beneath its fingernails, says Xan Brooks

The Sea Wall

Isabelle Huppert stars in a plodding adaptation of Marguerite Duras's novel set in 1930s Indo-China, writes Philip French

The Sea Wall

This glossy, soapy tale will inevitably trigger fond memories of the once controversial 1992 film The Lover, says Peter Bradshaw

Tulpan

Philip French is struck by vivid tales from the Kazakh steppes in Tulpan

Tulpan

Sergey Dvortsevoy's movie, set in the vast, featureless steppe of Kazakhstan, is a quiet little gem, says Peter Bradshaw

Son of a Lion

Guns, guns, and more guns are on ­display in this simple but effective story, says Andrew Pulver

Welcome

An Iraqi Kurd stuck in Calais finds at least one sympathetic Frenchman in the gripping drama Welcome, writes Philip French

Welcome

What keeps it afloat are sharp ­performances, together with a pungent, ­docu-style portrait of the dockyards, says Xan Brooks

Johnny Mad Dog

Brutal but thrilling, this is an astonishing insight into a conflict waged by feral children. By Peter Bradshaw

Thirst

Chan-wook Park's Thirst gives vampires and religion a bizarre Korean twist, says Philip French

Indian cinema rides the Slumdog wave

Nirpal Dhaliwal: Slumdog Millionaire brought the harsh realities of India's underclass into the multiplexes. But Indian cinema just got a whole lot grittier with Sudhir Mishra's Ride the Wave Johnny

Katalin Varga

Katalin Varga is a poetic rural tragedy, writes Philip French

La tête contre les murs

A masterpiece linking traditional French cinema and the emerging Nouvelle Vague, writes Philip French