Cannes 2011: The Artist/Michael/Footnote – review Daring and funny, a French love letter to 1920s Hollywood gets a standing ovation from Peter Bradshaw
Cannes 2011 review: Le Gamin au Vélo/Polisse Two-time Palme d'Or winners the Dardenne brothers cast their first star, while a Parisian police thriller could be the worst film in competition. Peter Bradshaw reports from the Croisette
Mark Kermode’s DVD round-up The fabulously overcooked Black Swan stands up to repeat viewings, writes Mark Kermode
Amreeka – review This defiantly upbeat film follows two Palestinians who move to the US, writes Steve Rose
A Screaming Man – review A drama from Chad about betrayal, guilt, denial, faith and secrecy. By Steve Rose
13 Assassins – review Takashi Miike offers a welcome revival of the samurai movie, writes Philip French
Outside the Law – review Rachid Bouchareb offers a gripping insight into the Algerian independence struggle through the lives of three brothers, writes Philip French
Outside the Law – review A controversial revisiting of Algeria's struggle for independence. For a revolutionary movie, it's conventionally made, says Steve Rose
Battleship Potemkin – review A welcome revival for Eisenstein's revered 1925 classic, which still has hypnotic urgency, writes Peter Bradshaw
How I Ended This Summer – review An award-winning tale of two meteorologists isolated on a remote Arctic island is a tense allegory about modern Russia, writes Philip French
Mark Kermode’s DVD round-up Gaspar Noé's Enter the Void makes for an extraordinary if ultimately empty experience, writes Mark Kermode
How I Ended This Summer – review Gripping and superbly acted Russian drama. Set in the Arctic, it was awinner at the Berlin film festival. By Peter Bradshaw
Little White Lies – review French actor-turned-director Guillaume Canet impressed with his debut, Tell No One, but this follow-up is self-indulgent tosh, says Xan Brooks
Tomorrow, When the War Began – review A group of small-town kids fight back against invaders in this reasonably effective Australian adventure story, writes Philip French