Trailer trash

David Lynch prepares to unleash his suitably surreal debut pop promo, while Catherine Deneuve and daughter reveal an enduring love for Boots the chemist. By Jason Solomons

The Kid With a Bike – review

The Dardenne brothers' latest tale of suffering and redemption in working-class Belgium is as closely observed as ever, writes Philip French

The Kid with a Bike – review

The Dardenne brothers' heartfelt, bold film revisits their classic themes of parenthood, trust and love, writes Peter Bradshaw

Once Upon a Time in Anatolia – review

Nuri Bilge Ceylan's latest film, a thriller as challenging as Antonioni's Blow-Up, is his finest work to date, writes Philip French

Dardenne brothers: ‘We don’t argue in front of the actors’

Belgium's most celebrated film-makers discuss the challenges of working together and their new award-winning film The Kid With a Bike

Once Upon a Time in Anatolia review – possessed of a mysterious grandeur

A long night spent looking for a body in the desert sets this Turkish crime drama apart as an exhilarating masterpiece

Ordet – review

This haunting, austere Danish classic demands and rewards the closest attention, writes Philip French

Freida Pinto and the rise of the ‘pan-ethnic’ star

Phil Hoad: The Slumdog Millionaire star is returning to her roots in Trishna, but her international roles hint at the declining importance of actors' ethnicity

Carancho – review

Pablo Trapero's noirish drama centring around car crashes and insurance scams in Argentina is claustrophobic but well realised, writes Philip French

If Not Us, Who? – review

There's not much insight into the figures behind Germany's Red Army Faction from this flavourless movie, writes Peter Bradshaw

Khodorkovsky – review

Not only is this documentary a fascinating insight into the fall of an oligarch, it's a glimpse into the soul of contemporary Russia itself, says Peter Bradshaw

Carancho – review

This Argentinian film noir about an ambulance -chasing lawyer supplies Bonnie and Clyde thrills, writes Peter Bradshaw

Michael – review

A film about a paedophile's home life by one of Michael Haneke's acolytes is an unbearable satire on parent-child relationships, writes Peter Bradshaw

The Adopted – review

Mélanie Laurent's directorial debut about provincial lives in Lyon is whimsical, touching and thoroughly French, writes Philip French

Red Dog – review

The real world has been PG-ified in this well-meaning tale of a dog's adventures in a Western Australian mining community, writes Peter Bradshaw