Death Watch – review
Bertrand Tavernier's 1980 reality-TV satire unfolds at a languid pace to intriguing effect, writes Peter Bradshaw
The Turin Horse – review
Béla Tarr's final film is a bleak, Nietzsche-inspired vision of the end of the days, says Peter Bradshaw
Pete Doherty: the challenge of making a film as a heroin addict
The Babyshambles frontman's acting debut as a 19th-century roué has been panned by critics as 'catastrophic'. Not that he seems to mind
Cannes 2012: Post Tenebras Lux – review
This opaque and exasperating work is a major misfire from the maverick Mexican director, says Xan Brooks
Cannes 2012: White Elephant – review
Ricardo Darín brings presence and authority to this heartfelt if slightly muddy film about priests tackling drug gangs in a Buenos Aires slum, writes Peter Bradshaw
Cannes 2012: You Ain’t Seen Nothin’ Yet – review
French actors play themselves in Alain Resnais' indulgent, self-conscious film about acting, memory and the persistence of the past, writes Peter Bradshaw
Cannes 2012: Amour – review
Michael Haneke's new film, a study of the effects of ageing and dementia on a blissful married couple, is intelligent film-making of the highest order, writes Peter Bradshaw
She Monkeys – review
Lisa Aschan's drama about a pair of teenage girls at a Swedish equestrian school is subtle and witty, writes Philip French
The Raid – review
Violence and corruption drive Gareth Evans's unrelenting Jakarta-set thriller, writes Philip French
If I Want to Whistle, I Whistle – review
A young man's clash with authority in this dour Romanian drama makes for bleak viewing, writes Philip French
Even the Rain; The Source – review
Water is at the heart of two of the week's strongest dramas, writes Philip French
The Source – review
It could have been a neat, well-aimed satire, but myriad subplots dissipate the energy and comedy, writes Steve Rose
If I Want to Whistle, I Whistle – review
The culmination of this tale of life in a Romanian young offenders' institute proves as despairing as it is tense, writes Mike McCahill
She Monkeys – review
This worthwhile film is a tremulous, pained study of awkward emotions among teenage Swedish lesbians, writes Andrew Pulver
Even the Rain – review
This smart fable stars Gael García Bernal as a heartthrob Herzog whose film crew starts to perpetuate the exploitation they hope to denounce, writes Mike McCahill