Kuma – review
Austrian-Turkish film-maker Umut Dag's drama about Turkish immigrants in Vienna is a bit melodramatic but strongly acted, writes Peter Bradshaw
The Big City – review
Satyajit Ray's 1963 film about a Calcutta woman blossoming in the world of work is utterly absorbing, writes Peter Bradshaw
Call Girl – review
It's all bad hair and worse sexual ethics in this visually sharp Swedish thriller about an infamous scandal, says Peter Bradshaw
Looking for Hortense – review
Pascal Bonitzer's good-looking family drama may be conventional but it's extremely well acted, writes Philip French
Looking for Hortense – review
Jean-Pierre Bacri's hangdog features set the tone for Pascal Bonitzer's graceful dying fall of a film, says Xan Brooks
From Up on Poppy Hill – review
This charming animation features two teenagers falling in love during a period of change in Japan, writes Philip French
From Up on Poppy Hill – review
Adapted by Hayao Miyazaki, directed by his son, Goro, this is minor but very enjoyable Ghibli, writes Mike McCahill
Paradise: Hope – review
The third part of Ulrich Seidl's Paradise trilogy looks like it's shaping up to be another horror-show, but it's not so, says Peter Bradshaw
Days of Grace – review
Everardo Gout's ambitious debut revolves around three violent incidents set during three World Cups, writes Philip French
Days of Grace – review
When the football World Cup is on, Mexico's criminals and cops suspend hostilities – ordinarily. By Peter Bradshaw
Viramundo – review
Peter Bradshaw reviews a documentary that follows Brazilian music's elder statesman Gilberto Gil to meet indigenous peoples
Mira Nair boycotts Haifa film festival
Monsoon Wedding director says she will visit Israel only when 'apartheid is over'
Wadjda – review
A girl's longing for a bike illuminates the lives of Saudi women in the country's first feature film directed by a woman, writes Philip French
Mark Kermode’s DVD round-up
Ginger Baker comes across as largely charmless in Beware of Mr Baker, which is what makes it such a compelling documentary, writes Mark Kermode
Easy Money – review
Double-crossing and muddied morality are rife in a relentless Swedish crime thriller brought to the UK by fan Martin Scorsese, writes Philip French