Richard Hartley

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Human Capital review – stylish yet shallow Oscar nominee

An accident is explored from several perspectives in this Italian adaptation of Stephen Amidon’s novel, writes Mark Kermode

Ghost in the Shell review – a rare slice of adult animation fantasy

Blending violent thriller, tech porn and sci-fi epic, this headspinning manga cyborg quest has dated better than its live-action rivals, writes Peter Bradshaw

Relationship Status: It’s Complicated review – a barely amusing romcom

Manu Paye plays a monkey-featured commitmentphobe torn between interchangeable women in this bog-standard French comedy, writes Leslie Felperin

Human Capital review – a shrewd portrait of status anxiety and avarice

Stephen Amidon’s novel of greed and family consequences is skilfully transplanted to Milan for this caustic drama, writes Peter Bradshaw

Mystery Road review – slow-burn Outback western

Ivan Sen's Outback-set thriller has echoes of classic American material, but an Australian ambience all its own, writes Leslie Felperin

The Police Officer’s Wife review – a tentative and overcomplicated drama

Philip Gröning's debut drama, an attempt to tackle domestic violence, holds its subect at arm's length, writes Xan Brooks

Alleluia review – stylish tale of serial-killer lovers

Fabrice de Welz's claustrophobic drama about a pair of twisted lovers preying on the dating scene is like Sightseers minus the laughs, writes Phil Hoad

The Police Officer’s Wife review – study in suffering or irritating mess?

The German director's previous film would convert Richard Dawkins to religion, but using the same techniques in a fictional tale makes this a trying watch, writes Leslie Felperin

Charulata review – a vitamin boost for the mind and heart

This brilliantly unshowy film about the frustrated wife of a newspaper editor begs the question of why we're not talking about Satyajit Ray more, writes Peter Bradshaw

Two Days, One Night (Deux Jours, Une Nuit) review – Marion Cotillard gives a supremely intelligent performance

Marion Cotillard is outstanding as a desperate mother lobbying co-workers for her job back in this agonising social drama from the Dardenne brothers, writes Peter Bradshaw

Moebius review – an X-rated family affair

Cannibalism, voyeurism, mutilation… anything goes in Kim Ki-duk's provocative dialogue-free drama, writes Jonathan Romney

Wakolda review – Nazis in Patagonia?

Lucía Puenzo's creepy follow-up to the elegant XXY fails to convince as either an arthouse film or thriller, writes Jonathan Romney

Wakolda review – the muscular force of a Forsythian thriller

Lucía Puenzo's drama-thriller about a mysterious, genetics-obsessed German doctor in Patagonia is an atmospheric triumph, writes Peter Bradshaw

L’Assassino – Philip French on Elio Petri’s sophisticated political thriller

Marcello Mastroianni gives a superb performance in this monochrome tour de force, writes Philip French

DVDs and downloads: Starred Up, Labor Day, Half of a Yellow Sun and more

Jack O'Connell's portrayal of a feral juvenile offender is astonishing, which is more than can be said for the escaped convict in Labor Day, writes Guy Lodge

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Thirsty and power hungry: Australia is in the middle of a datacentre boom – but not everyone is convinced
  • Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
  • Condemned to plutocracy? The relentless rise of US inequality
  • Brands using AI-generated influencers to promote products on social media
  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week

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