Baye went from working with the great French auteurs in the 1970s and 80s, including Truffaut and Godard, to high profile roles in Catch Me if You Can and Downton Abbey: A New Era
Writer-directors Marcio Reolon and Filipe Matzembacher talk about the ‘assimilation myth’, why Wim Wenders is wrong and how they’re developing queer western and horror movies
Kicking off this year’s series in which our writers advocate for one Academy Award nominee, our chief critic on why the Brazilian drama-thriller is the most audacious and fully realised film in the race
Opening the Berlin film festival, No Good Men blends romance and rebellion, capturing love, humour and female agency in Kabul on the eve of the Taliban’s return
Director Miklós Jancsó creates a bizarre psychodrama set after the fall of the 1919 Hungarian Soviet republic, encompassing postwar trauma and erotic overtones
This year has brought us some great movies – and also at least a dozen dire one-star disasters. Here are the Guardian’s critics on the pick of the year’s cinematic calamities
Now the Guardian’s Top 50 countdowns, as voted for by the whole film team, have announced their No 1s, here are our chief critic’s personal choices – in no particular order
Fresh from a 20-minute ovation at Toronto, the film-maker’s historical drama reveals how Britain’s 1936 crackdown created the blueprint for the ongoing genocide in Gaza
What single film best represents a nation? Here, 12 writers choose the one movie they believe most captures their home’s culture and cinema – from a bold cricket musical to a nine-hour documentary, gritty crime dramas to frothy tales of revenge
A Swiss film about a nurse pushed to her limits one night is being praised for the picture it paints of treacherously underfunded healthcare. The director talks about the ‘heart-pounding’ story that inspired her