Ramsay’s brilliant rendering of a child’s experience during the 1975 Glasgow bin-collectors’ strike, spiked with a horrifying twist of fate, remains masterly
From Amy Winehouse to Elvis, musical biopics are ubiquitous – but it’s only the fake ones that are really worth watching, says journalist and critic Zach Schonfeld
Reconstructing the US senate investigation that followed the disaster, this was made with a tiny fraction of James Cameron’s budget but has an authentic feel