In the first two episodes of a six-part series, the stardom of 80s primetime host Enzo Tortora is cleverly crosscut with the scramble of a mob secretary who implicates him – and his parrot – in drug trafficking
John Cleese’s stage version of his beloved sitcom, a cast recording of Cornish musical The Curious Case of Benjamin Button and Robert Wilson’s production of Handel’s Messiah are among September’s highlights
Darren Aronofsky’s back with a new crime caper starring Austin Butler, and the festival-slaying singer-songwriter releases her long-awaited third album
Adrien Brody mesmerises in the Oscar-winning epic, while Spike Lee indulges in a New York love-in with his new crime thriller starring Denzel Washington
When the streaming giant began making films guided by data that aimed to please a vast audience, the results were often generic, forgettable, artless affairs. But is there a happy ending?