Richard Hartley

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YouTube Kids ads row: how should we pay for children’s entertainment?

If parents aren’t comfortable about advertising around what their kids are watching online, will more of them be keen to pay for it?

YouTube: Hank Green tells fellow creators to aim for ‘$1 per view’

Online video veteran sees crowdfunding as the answer to his peers’ complaints about YouTube’s low advertising rates

Lee Daniels hip-hop drama Empire heading to E4

The acquisition comes after massive ratings success in the US, as well as a chart-topping soundtrack album overseen by Timbaland

Hatfield: ‘Today’s 50-something is Brad Pitt, Johnny Depp, Yasmin Le Bon’

London Live’s former editorial director on local TV, Evgeny Lebedev, and his new digital startup for over 50s

Doctor Who gets official BitTorrent ‘box-set’ from the BBC

Broadcaster follows Radiohead’s Thom Yorke in testing legal file-sharing distribution with 10-episode bundle

Sharing Doctor Who: how BitTorrent bagged its BBC bundle deal

File-sharing firm’s Matt Mason says he wants to combat piracy: ‘Content has value, it should be legally licensed and distributed...’

Top Gear drives BBC iPlayer to record month

Four episodes aired prior to Jeremy Clarkson’s suspension attract total of 9m views, as Lucy Beale plot in EastEnders also draws heavy traffic

Michelle Phan goes beyond YouTube with Icon multi-channel network

Online star teams up with Endemol Beyond for new lifestyle network, which will also be available on other video services and social networks

BBC drama chief Ben Stephenson joins JJ Abrams’ Bad Robot

Executive responsible for shows including Sherlock, Call the Midwife and Wolf Hall to leave corporation after 11 years

Helen Mirren: it’s difficult for women to earn a living in film and TV

Oscar-winning star of The Queen also says she intends to stop working – and admits she still has to combat stage fright

Chair of £16m BBC and Arts Council project The Space resigns

Alex Graham stands down after just a year, saying backers want to take project in a new direction

Going Clear and Killing Jesus show controversy is cable TV’s secret weapon

As Scientology documentary on HBO and dramatisation of Jesus’s death on NatGeo compete for the same Sunday night time slot, what will viewers choose?

Cutting the cord: a look at the pros and cons of quitting cable

With an abundance of streaming services to choose from, many are choosing to leave cable behind entirely. Here’s what you should know before you do

Twitter launches Periscope live video streaming app to rival Meerkat

Social network makes its move into live-streaming video with free app that allows public and private broadcasts from celebrities and regular users alike

Where have all the lesbians gone in TV and film?

Jacquie Lawrence: Lesbian characters are meeting tragic fates in television dramas such as Call the Midwife and Last Tango in Halifax – we need more voices out there

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute

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