Richard Hartley

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YouTube v Twitch: battling for viewers, but both can grow

YouTube beefed up its live streaming and Amazon’s Twitch added video uploads, but it’s their gaming audiences that will define which advances fastest

PewDiePie and KSI take their YouTube fame to the mobile app stores

PewDiePie: Legend of the Brofist is a non-freemium mobile game, while KSI: I Am A... is an augmented-reality spin-off from gamer’s first book

Facebook joins YouTube in showing 360-degree videos – including Star Wars

Social network giving virtual-reality content a boost in its news feed, with other partners including GoPro, LeBron James and Vice

Matt Damon apologises for diversity in film gaffe as #damonsplaining trends

Oscar-winning film-maker was criticised for telling an African American judge on HBO show Project Greenlight that winners should be picked purely on merit

Newsflush! Digital video’s bog-standard content

BBC4’s channel editor has revealed that 10% of all viewing is done while people are going about their lavatorial business

Deezer to take on Apple Music with launch of UK ad campaign

Warner Music company to air first commercial during Channel 4’s Gogglebox on Friday following equity stake deal with broadcaster agreed in June

Channel 5 to get ‘double-digit’ budget increase to boost programming

Viacom chief says broadcaster is set for on-screen overhaul following £450m takeover and voices concern over BBC’s plans for music network

The BBC licence fee lacks friends, but viewers love their TV subscriptions

Replacing the fee with a tax might open the BBC to political meddling. But cable and streaming services show there’s still an appetite to pay

Many questions, few answers in Hall’s speech on BBC’s future

With ideas sprayed around but few clear targets for cuts identified or costs attached to plans, the only certainty is that jobs will go at the broadcaster

FX boss: ‘The ties between the UK and US television are increasingly close’

John Landgraf on seeking talent, beating the slump in advertising – and making a Braveheart for the Welsh

The Diamond Minecart becomes most popular YouTube channel

British gamer Daniel Middleton’s Minecraft videos beat WWE wrestling, Little Baby Bum, BuzzFeed and Taylor Swift with 400m July views

BBC3 should follow Radio 1 in focusing on social media, says Google boss

Matt Brittin praises station for going to the right places for its audience and securing 2 million subscribers on YouTube

Angry Birds maker Rovio plans to cut up to 260 staff

Despite 50m downloads of Angry Birds 2 game, 38% headcount reduction aims to help ‘leaner and more agile’ company recover from over-expansion

Google launches YouTube Gaming to challenge Amazon-owned Twitch

Service aims to help Google-owned video streaming company compete for live gaming audience after it failed to buy market leader

BBC TV chief warns of US threat after big-money Amazon deals

Danny Cohen says BBC cannot compete with £160m deal for Jeremy Clarkson show and was rebuffed when it asked to co-produce £50m royal epic The Crown

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype

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