Richard Hartley

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Blood, guts and fireballs: the day I took two bullets at Trainspotting’s SFX studio

A stabbing for T2, a blazing station for Hot Fuzz, a bus blown up for The Foreigner … Artem are the go-to pyromaniacs for British films. Our writer gets sliced up and shot at

John Hurt, widely admired stage and screen actor, dies aged 77

Distinctive-voiced actor was Oscar nominated for Midnight Express and the Elephant Man, as well as being the victim of the notorious ‘chestburster’ in Alien

Sky to offer full TV service without a dish for the first time

Pay-TV giant announces landmark move as it reports falling profits due to Premier League rights costs

The Night Manager team to adapt another Le Carré spy classic

After success of hit series, BBC is creating first onscreen adaptation of The Spy Who Came in from the Cold since 1965 film

Why the BBC will struggle to make iPlayer as good as Netflix

Director general Tony Hall says the beloved platform needs reinventing, but budget restraints and public duty stand in the way

BBC iPlayer faces complete overhaul in Tony Hall’s future-proofing plans

Director general will call on staff to ‘reinvent public broadcasting for a new generation’ in order to compete against giants such as Netflix and Amazon

Film and TV ​streaming and downloads overtake DVD sales for first time

Appetite for services from Netflix and Amazon helps total digital video revenue surge almost 23% to £1.3bn in UK last year

Paul Abbott: ‘Shameless became too hysterical. I was glad to see it off’

As No Offence returns to Channel 4, the award-winning scriptwriter talks about former hits, problems with pitching, and State of Play 2

Replay for today: why the remake is making a comeback

In theatre as in film and on television, there is a strong sense of deja vu these days, with revivals and remakes filling our screens

BBC and ITV to launch BritBox on-demand service in US

Broadcasters aim for international Netflix-style platform for British shows such as EastEnders and Silent Witness

The Grand Tour viewing figures are a mystery to us, say show’s stars

Jeremy Clarkson says reports Amazon paid $160m or $250m for three series of the motoring show are ‘nonsense’

Missing iPlayer means your Samsung TV isn’t so smart

The televisions are supposed to offer access to the BBC’s and other channels’ catch-up services, but a licence issue is turning many customers off

We hoped to see more black lives on our screens. Our hopes were dashed

It’s 10 years since the BBC’s visceral drama Shoot the Messenger was screened, but despite initiatives such as Black and British, little has improved

Angela Bassett: ‘Anger doesn’t serve me. If I’m frustrated, I just do better’

From Boyz N the Hood to playing Tina Turner, Angela Bassett has always been a trailblazer. But Close to the Enemy, Stephen Poliakoff’s latest drama about war-ravaged Britain, presented a new type of challenge

Tragic, fascinating, brilliant – life of ‘wild child’ Zelda Fitzgerald revisited

Two films and a TV series out soon portray the life of the jazz-age writer and wife of F Scott Fitzgerald

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The UK’s social media ban for under-16s has just empowered big tech
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • How Refugee Week film festival brings migrants’ experience home
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate

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