Richard Hartley

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UK film industry on a roll as it helps keep economy growing

ONS highlights role of sector as foreign movie and TV studios are attracted to Britain by government tax breaks and weak pound

Netflix tops 100m subscribers as it draws worldwide audience

US-based streaming service marks milestone with more than half of its 104m customers signed up outside America

BBC’s James Purnell: ‘You can’t serve young audiences without serving diverse audiences’

Director of radio and education on staying relevant against competition from ‘US west-coast, money-centric stuff’

BBC promises a wider mix than rivals as it seeks to reinvent itself

Broadcaster outlines plan for ‘reflecting and representing a changing UK’ and its strategy for competing with Netflix and Amazon

BBC vows multimillion cash injection for British-made children’s TV shows

Broadcaster’s annual children’s budget will rise from £110m to £124.4m by 2019-20, with pledge to spend £31.4m of that online

BT tops complaints league for broadband and pay-TV users

Telecoms group’s subsidiaries Plusnet and EE also attract high level of complaints, while Sky has fewest disgruntled users

Hollywood and TV put the squeeze on UK’s low-budget film-makers

Small productions struggle to hit the big screen due to fashion for mega-budget TV dramas and risk-averse US studios focusing on superhero blockbusters

Amazon steps up battle with Netflix and Sky by adding new UK channels

ITV and Eurosport to be on offer for the first time at extra cost, along with Discovery and reality TV channel Hayu

Netflix viewers like comedy for breakfast and drama at lunch

Streaming service users enjoy watching lighthearted shows early in the day, saving documentaries for late at night, data shows

‘Show me the money!’: the self-published authors being snapped up by Hollywood

After the success of self-published authors like Andy Weir and EL James, Hollywood is scooping up the rights to books as fast as it can. But why – and is it always good for the author?

A Bafta for Nick Fraser, grandmaster of the documentary

As Storyville’s renowned former editor is honoured with a Bafta special award, two film-makers share their experiences of working with him

Amazon moves into UK live music starting with Blondie London gig

US company to expand music strategy with Prime Live Events, in latest move to attract subscribers

Sir David Attenborough to become 3D hologram for Sky VR documentary

Naturalist to help viewers ‘handle’ objects from Natural History Museum, as broadcaster also unveils new HBO deal

Hollywood is finally telling black people’s stories

Trend shows no sign of slowing as Baftas look to be more diverse than ever with nominations such as Damilola Our Loved Boy

Virtual reality: Is this really how we will all watch TV in years to come?

At the media industry’s annual bash in Cannes, virtual reality is the next mass medium that will take TV to a new level

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • How Refugee Week film festival brings migrants’ experience home
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35

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