Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

‘Like a DVD in the present tense’: are we ready for film distribution via USB drives?

As big tech continues to dominate the film industry, Video StoreAge is a uniquely crafted company that works with film-makers to sell independent films on USB drives

‘Another internet is possible’: Norway rails against ‘enshittification’

Absurdist video urges policymakers and users to resist deliberate deterioration of platforms and devices

Google scraps AI search feature that crowdsourced amateur medical advice

Exclusive: Revelation comes as company faces mounting scrutiny over use of AI to provide health tips

Samsung Galaxy S26 Ultra review: its huge screen blocks shoulder surfers from spying on you

Latest Android superphone packs great cameras, fast chips, long battery, a stylus and first-of-its-kind privacy display

The Infinity Machine by Sebastian Mallaby review – the story of the man who changed the world

A journalist charts the progress of AI pioneer Demis Hassabis from child chess prodigy to Nobel prize winner

TV tonight: inside Facebook and Meta with ex-staff and whistleblowers

Marianna Spring goes Inside the Rage Machine. Plus: the finale of the brilliant comedy Small Prophets. Here’s what to watch this evening

India’s scattered workforce: the chatbot keeping families in touch during emergencies

Covid exposed the lack of data on the country’s 140 million mobile migrant workers, but a new project in Odisha is helping to fill in the gaps

AI job layoffs are here: it’s time to revive the push for shorter working hours

There’s no doubt artificial intelligence will produce real productivity improvements. It’s imperative these benefits are shared with workers

Iranians embrace anthem by AI singer created by UK-based, Iran-born artist

‘I did it for the people,’ says Farbod Mehr, of song drawing lyrics from the work of revolutionary 20th-century poet Aref Qazvini

AI could give us our lives back – if we don’t blow it

Could we be at the beginning of a change never before seen by humans – allowing us to escape the drudgery of work?

These aren’t AI firms, they’re defense contractors. We can’t let them hide behind their models

From Gaza to Iran, the pattern is the same: precision weapons, chosen blindness, and dead children. The cost of failing to regulate AI warfare is already too high

America needs a movement to curb billionaires’ power

The country’s 900 billionaires have far too much influence over our government and economy. Here’s how we can reduce the power of the ultra-rich

Royals and celebrities warned to watch words as lip-reading videos go viral

Advisers say to ‘assume the cameras are always rolling’ as exchanges can be decoded in seconds and posted online

Nigeria’s online content creator market has boomed. Can the skit-makers and streamers make it pay?

As platforms make less from advertising, creators are struggling to monetise work – leading to calls for more government investment and tax breaks

Can scientists really resurrect the dodo? Inside the company that says it can

Colossal Biosciences’ CEO says its work follows a ‘moral obligation’ while critics say it’s ‘tech bro’ hype that could undermine conservation

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
  • Silicon Valley donations make Colorado Democratic primary one of state’s most expensive
  • The Three Musketeers: D’Artagnan brings genuine thrills – and a massive budget – to a well-trodden tale
  • UK watchdog plans to break Apple and Google’s ‘effective duopoly’ on mobile app stores
  • Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
  • Why is Elon Musk boosting an anti-immigrant film loved by the far right?
  • Number of billionaires globally soars by 13% amid AI shares boom
  • Rocky week for AI as shares slump but no sign of crash – yet
  • Supergirl: doggy distress, frontier justice and a new direction for superhero movies – discuss with spoilers
  • UK ‘minded’ to intervene in Paramount’s $110bn takeover of Warner Bros Discovery
  • Michael Byrne obituary
  • Elon Musk promotes ‘anti-migrant’ Armie Hammer film with free download on X
  • Doubt that Elon Musk ‘earned’ his trillion? Rightwing media says you’re in an ‘impotent envy cult’
  • The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
  • The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
  • Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful
  • Oura Ring 5 review: a stunning generational leap for smart rings
  • Executioner review – sleazy MP hams it up with sex worker in darkly comic blackmail thriller
  • Ireland is big tech’s lapdog – and that compromises its EU presidency
  • ‘There’s this deep mystery of what, actually, is this thing?’: the philosopher inside Google DeepMind AI
  • Crypto firms operating in UK to be subject to sweeping new rules
  • US supreme court rules geofence warrants require constitutional privacy protections
  • Shares in chipmakers underpinning AI boom rocket in first half of 2026
  • Comcast to spin off NBCUniversal and Sky into separate media business
  • Ministers likely to support law change to allow delivery robots on England’s paths
  • ‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?
  • ‘A very good gadget’: taking delivery from the robots of Milton Keynes
  • Once, cyber-attacks required great skill. AI is changing that
  • Done Quixote? Film archivists on quest to finish Orson Welles passion project
  • Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror

Contact www.richardhartley.com   Terms of Use