Ama Qamata plays a teenage survivor of sexual violence in the DRC with compelling power, and searingly drawn footage of street life in Goma gives authentic edge
His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’
Cannes film festival: Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism
Filmgoers born after 1997 are reviving cinemas’ hopes of survival. They tell us about the social experience where ‘there’s absolutely no commitment to chat’