Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Twitter suspends Infowars’ Alex Jones for abuse

Far-right conspiracy theorist will not be able to tweet, retweet or favourite tweets for seven days

Google’s snooping proves big tech will not change – unless governments step in

News that the company tracks users even when they forbid it shows that technology giants do not take our privacy seriously. They must be regulated

Facebook buys rights to show La Liga games in India

Company signs exclusive three-year agreement to screen all 380 Spanish top-flight football matches across south Asia

Facebook exec: media firms that don’t work with us will end up ‘in hospice’

Campbell Brown, head of news partnerships, tells publishers that without Facebook’s help their businesses will die

Twitter is the last major host for Alex Jones’s rants. Why does he get to break their rules?

The tech giant is scared of losing power, yet as a media platform it must be responsible for its content

Peak social media? Facebook, Twitter and Snapchat fail to make new friends

As the market matures and young people share elsewhere, growing pains hit Silicon Valley

No one’s civil liberties are violated by a ban on the far-right Infowars

Platforms are not silencing voices or engaging in censorship – they are deciding not to profit from hate, says freelance journalist Michael Segalov

The Guardian view on Shahidul Alam: Bangladesh should let him go

Editorial: The acclaimed photographer and activist is one of many targeted under a draconian law. He should be freed, and the legislation changed

Have smartphones killed the art of conversation?

So we’ve gone off voice calls yet spend hours glued to our phones. But it’s simply that the rules of conversation have been redrawn in the age of WhatsApp, Snapchat and emojis

There’s ingenuity behind Apple’s great success. But we must guard against its might

It’s the first trillion dollar corporation, but like its peers, it wields unparalleled power

The trillion-dollar question: can the tech giants keep growing?

A startling stock-market landmark for Apple has been offset by big falls for Facebook and Twitter. Is this tumultuous period just a blip, or the first sign of trouble?

‘Just use cat videos’: New York Times boss wants Facebook to cut out news

Mark Thompson warns social media giant’s quality ranking promises a ‘controlled society’

Brussels in EU-wide drive to combat voter manipulation online

Initiative will coordinate efforts to tackle fake news and misuse of personal data

If Silicon Valley won’t stop fake news, we will

Stricter policies are urgent if we want to maintain fair elections, writes MP Damian Collins

Facebook and Instagram to let users set time limits

Firms says aim is to give users more control over the time they spend on their platforms

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Keir Starmer and Andy Burnham have met away from No 10 to discuss transition – as it happened
  • Quantum of Solace: a heartbroken James Bond is fuelled by rage in Daniel Craig’s most underrated 007 film
  • US AI stock sell-off shakes markets from Wall Street to Asia
  • You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook
  • Will California’s billionaire tax proposal make it to ballots?
  • AI in the classroom prompts tide of concern from US parents and experts
  • How to Live on Earth review – Benedict Cumberbatch exudes positivity in response to the climate crisis
  • Majority of datacenters are vulnerable to climate threats like floods and fires, study finds
  • Australia ‘sleepwalking’ into AI crisis and ‘tech bro free-for-all’, says Greens senator
  • Sizzle reels: nine films to watch in a heatwave
  • ‘I’ve had a huge life, so I needed a big budget’: Madonna says biopic was scrapped after ‘falling out’ with studio
  • 500 Miles review – kids hit the road to visit Irish grandad Bill Nighy in YA tearjerker
  • ‘Climate change is a form of oppression’: the voices affected most by environmental crisis
  • The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror
  • The 31 best Prime Day deals in the US on things our editors actually tested and love
  • The 27 best anti-Prime Day deals for Amazon skeptics in the US – from Best Buy, REI and more
  • Landship review – soldiers yearn for tinned meat in muddy first world war drama that stays inside the tank
  • Self-doubt, burnout … and Taylor Swift: why Toy Story 5 is the ultimate millennial girl movie
  • Lost memoir of Hiroshima survivor found after decades in US archive
  • Met to expand use of live facial recognition into central London by Christmas
  • UK plans to give established media more visibility on YouTube and TikTok
  • HR consultant wins English court case using AI lawyer in apparent legal first
  • Two Britons plead guilty to £39m 2024 cyber-attack on Transport for London
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • Angry and lonely after my marriage ended, I came dangerously close to embracing the manosphere
  • Tesla drivers crash into swimming pool and home in separate US incidents
  • Once Upon a Time in Holyhead: Quentin Tarantino and Kylie Minogue shooting film in Porthcawl
  • AI models capable of devastating attacks on governments and business months away, rare Five Eyes statement warns
  • Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
  • Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie

Contact www.richardhartley.com   Terms of Use