Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

UK and US intervene amid AI industry’s rapid advances

Competition and Markets Authority sends ‘pre-warning’ to sector, while White House announces measures to address risks

AI ‘could be as transformative as Industrial Revolution’

UK’s outgoing chief scientist urges ministers to ‘get ahead’ of profound social and economic changes

AI makes non-invasive mind-reading possible by turning thoughts into text

Advance raises prospect of new ways to restore speech in those struggling to communicate due to stroke or motor neurone disease

New artificial intelligence tool can accurately identify cancer

Exclusive: algorithm performs more efficiently and effectively than current methods, according to a study

‘My father died in my arms at my wedding’

On his wedding day, Tim Sullivan’s much-loved dad suddenly collapsed and died on what should have been the happiest of days. But what he learned has shaped his life

Thank the Lords someone is worried about AI-controlled weapons systems

While politics as usual dominates the Commons, thankfully a few people from the upper chamber are thinking about the big picture

AI has better ‘bedside manner’ than some doctors, study finds

ChatGPT rated higher in quality and empathy of written advice, raising possibility of medical assistance role

Every time a SpaceX rocket explodes, I wonder if we should tax the rich more

The enormous expense of these rockets could have been spent on addressing the many crises that we face on our fragile planet

The Artifice Girl review – talky AI sex-crime drama asks the big questions

This debut feature aims to dissect the ethical dilemma surrounding our use of artificial intelligence, but can’t translate ideas into a cogent argument

SpaceX Starship test flight cancelled minutes before blast-off

Elon Musk says launch of most powerful rocket ever built called off due to ‘pressurisation’ issue

As AI weaponry enters the arms race, America is feeling very, very afraid

Will technological advantages be enough for China to replace the US as the world’s AI superpower?

The Guardian view on regulating AI: it won’t wait, so governments can’t

Editorial: With growing concerns inside as well as outside industry, it is clear that counting on developers to police themselves is not sufficient

Fragments from Heaven review – Malick-esque origins of life study looks to the skies

A meteor shower is the central mystery of a documentary set in the Moroccan desert that feels like a cinematic sleeping pill

Programmers, beware: ChatGPT has ruined your magic trick

The generative AI tool can write code on request, making the specialist skill of programming open to everyone

AI expert Meredith Broussard: ‘Racism, sexism and ableism are systemic problems’

The journalist and academic says the bias encoded in artificial intelligence systems can’t be fixed with better data alone – the change has to be societal

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Anti-Burnham fake news on Makerfield Facebook accounts has surged, report finds – UK politics live
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert
  • ‘What’s the opposite of a gay demon?’: The creepy new Australian horror film that’s getting global buzz
  • Man claiming to be One Nation branch official defended Hitler Youth and called Aboriginal people ‘stone age’ in racist posts
  • Spielberg’s Disclosure Day opens strongly at box office as Obsession, Backrooms – and Michael – smash records
  • Ian McKellen says he imagined destroying Mar-a-Lago for new Avengers movie
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought
  • How Australia’s social media ban has affected families six months on
  • ‘Loving our country sounds like an abused spouse saying they love their abuser’: Robert De Niro leads crowd in rallying cry against Trump
  • Social media firms hit back as Starmer announces ban for under-16s in UK
  • The man who bought Diane Keaton’s nail clippers also owns Whoopi Goldberg’s teapot: ‘It will have her fingerprints on it’
  • Disclosure Day: alien conspiracies, car chases and a jaw-dropping climax – discuss with spoilers
  • Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama
  • Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure
  • The problem with ‘loneliness influencers’ isn’t their friendlessness – it’s the air of cosy defeatism
  • Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter
  • ‘More relevant now than ever’: how Virginia Woolf recaptured the cultural zeitgeist
  • ‘Distressingly beautiful and disorienting’: the Willem Dafoe film that only one person can see at a time
  • Europe is starting to break up with US big tech. But it’s still abiding by the Silicon Valley rulebook

Contact www.richardhartley.com   Terms of Use