Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Rupert Murdoch, here are my top Twitter tips – feel free to RT

Helen Lewis-Hasteley: The media mogul has started 2012 by joining Twitter. Good Lord, he's not going to end 2012 by buying the company, is he?

The Sun wins appeal to stop its videos being monitored by regulators

Video section of the Sun's website need not be classified as an on-demand programme service, says Ofcom. By Mark Sweney

The Ascent of Media by Roger Parry – review

Roger Parry's scholarly journey through the history of media contains important lessons for today's digital pioneers, writes Peter Preston

DMGT to sell controlling stake in Teletext

Majority share in loss-making Teletext service to be sold to its current management for an undisclosed sum. By Mark Sweney

The readers’ editor on… the photographers’ art of capturing what they see

Chris Elliott: Open door: There is a line photographers walk between recording the literal experience and producing an artistic account of it

Facebook: population growth and tattoos more popular than hard news

BBC is most-shared news outlet, followed by the Guardian, as social network reveals its top UK news stories of 2011. By Josh Halliday

Film on homelessness aims for runaway success

A short film raising funds for homelessness charities aims to tell the real story of people living on the streets

Hugh Grant and co: Mail rogues

Media Monkey: Daily Mail attacks 'quartet of trouser-droppers' after being criticised for its Leveson inquiry coverage

Hugh Grant tour rolls into Westminster

Simon Hoggart: Hugh attends joint Lords and Commons phone hacking committee supported by Steve Coogan, Max Mosley and Zac Goldsmith

Are publishers putting the squeeze on bloggers?

Alison Flood: There are worrying signs from some quarters that online reviewers are being held to much stricter terms than traditional journalists receiving review copies

Perez Hilton interview: ‘I’m sassy, without being nasty’

John Plunkett: Showbiz blogger talks about his ITV2 show, Perez Hilton: Superfan and why he doesn't 'out' stars any more

The Guardian launches Spotify app

App allows users to listen to albums reviewed by the Guardian and Observer. By Mark Sweney

Trader Media Group buoyed by digital growth

Auto Trader owner's double-digit surge in digital revenues outweighs a plunge of more than a fifth in magazine profits. By Mark Sweney

Economist boosts profits after digital subscribers top 100,000

Publisher of the Economist reports 6% increase in operating profits to £26.2m as ad revenue grows by 12%. By Mark Sweney

Andrew Rashbass: ‘The biggest reason we’re successful is that we are lucky’

Economist's chief executive explains how a mistake transformed his website and why he is relaxed about losing print sales. By Roy Greenslade

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban
  • The best power banks and battery packs in the UK for reliable charging on the go, tested
  • Teddie Beverley obituary
  • Apocalypse when? ‘Earth’s Black Box’ to be installed in remote Tasmanian airfield
  • UK critical infrastructure hit by 200 cyber incidents in a year, agency says
  • Legislation proposed to stop lawsuits used to silence journalists and whistleblowers
  • Fears for Xbox as it puts its developers on the chopping block once again
  • I had a blood clot. An AI diagnosis may have saved my life
  • Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
  • ‘A neoliberal nightmare’: my ride on the Vegas Loop – Elon Musk’s answer to traffic jams
  • ‘Vegetarian Nigella’ and flirty hair flips: John Early and Kate Berlant take on diet culture in new influencer satire
  • The curious case of Elias Thorne – and what he tells us about AI inbreeding
  • Will it take a ‘Chornobyl-scale disaster’ for us to regulate AI?
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait

Contact www.richardhartley.com   Terms of Use