Richard Hartley

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Joker: Folie à Deux review – Joaquin Phoenix and Lady Gaga musical spirals out of tune

There’s a great supporting cast and a barnstorming first act but Todd Phillips’s much-hyped Gotham sequel proves claustrophobic and repetitive

‘Let them kick the crap out of the songs’: how we recreated the Beatles to make Backbeat

‘I knew people who said John Lennon was angry, insecure and cruel in the early days. When I met Ian Hart, I saw he could provide that’

From Sing Sing to Star Wars Outlaws: a complete guide to this week’s entertainment

Colman Domingo stars in a touching drama about prison inmates who stage a musical, and a new adventure game lets you play an interstellar scoundrel in a galaxy far, far away

One to One: John & Yoko review – fun, fierce, full-blooded portrait of Lennon and Ono

Kevin Macdonald’s surprising documentary catches a radioactively charismatic Lennon enjoying his rambunctious post-Beatles heyday in New York

Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Puccini

Jason Schwartzman: ‘I was the kid driving around all the record stores buying all the Oasis singles’

The actor answers your questions on auditioning for Wes Anderson, his love of Britpop, his telepathic mother and never hearing back from Ringo Starr

‘His spirit is everywhere’: the fascinating story of Jimi Hendrix’s Electric Lady studio

New documentary takes a look back to the late 60s when the star commissioned a recording studio that has since taken on a life of its own

Kneecap review – fictionalised origin story is one of the funniest films of the year

Belfast rappers Kneecap use the Irish language as their weapon in Rich Peppiatt’s exhilarating comedy drama co-starring Michael Fassbender

Blink Twice to Fontaines DC: a complete guide to this week’s entertainment

Sinister larks abound in Zoë Kravitz’s whip-smart directorial debut, and the Dublin post-punk posse return with a triumphant fourth album

Kneecap review – Irish-language hip-hop trio in fiercely riotous Belfast romp

The story of Northern Irish teenagers who reinvent the political purpose of hip-hop, the film is most uproarious when the energy of the music lets loose

Bennifer is over – again. But why does Ben Affleck and Jennifer Lopez’s divorce feel so sad?

It was genuinely nice seeing two middle-aged stars reunite 18 years after their wedding was called off. But it didn’t last

‘They couldn’t even afford a bag of chips!’: Scotland’s great lost all-female bands

From the Edinburgh duo who toured with the Beatles to the ribbon-festooned Strawberry Switchblade, Scotland produced thrilling girl bands. So why couldn’t they sustain their success? A new film tells their stories

AI-generated parody song about immigrants storms into German Top 50

Artist Butterbro accused of walking fine line between parody and discrimination and helping make racial slur mainstream

How Northern Irish rap trio Kneecap rose to fame by subverting the Troubles

As an Oscar-entry film about the rappers opens this week, Kneecap speak about fusing irony and provocation – and the anti-immigrant riots

‘The party is back’: rise in European music festivals banning smartphones

This summer organisers are asking festival-goers to stop filming the event and live in the moment instead

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Two Britons plead guilty to £39m 2024 cyber-attack on Transport for London
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • Angry and lonely after my marriage ended, I came dangerously close to embracing the manosphere
  • Tesla drivers crash into swimming pool and home in separate US incidents
  • Once Upon a Time in Holyhead: Quentin Tarantino and Kylie Minogue shooting film in Porthcawl
  • AI models that can take down governments and business months away, rare Five Eyes statement warns
  • Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
  • Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
  • Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
  • ‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters
  • Shadows of Willow Cabin review – secrets fester beneath horny hookup in low budget horror
  • The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine
  • The Reverse Centaur’s Guide to Life After AI by Cory Doctorow review – the real price of artificial intelligence
  • Thirsty and power hungry: Australia is in the middle of a datacentre boom – but are they good for the economy?
  • Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
  • Condemned to plutocracy? The relentless rise of US inequality
  • Brands using AI-generated influencers to promote products on social media
  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage

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