Richard Hartley

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‘Everyone knows the Centrelink song’: how we learned to love – and remix – hold music

It’s been called the ‘sound of purgatory’ but Opus 1 has enjoyed a new life in performance art, in a beer commercial and now on TikTok

The Guardian view on film awards: and the winner is…

Editorial: Getting rid of separate best actor and best actress categories is not the answer to lack of diversity in the industry

The Burden of Black Genius: documentary examines career of Sly Stone

Questlove’s probing new film looks at the incredible life and works of the one-of-a-kind talent while also taking a broader look at the specific difficulties faced by Black artists

‘Comedy and art should push up against a line’: Rich Peppiatt on class, controversy and Kneecap

Ex-tabloid reporter shares how an encounter with Hugh Grant and Steve Coogan led to his acclaimed film about an Irish-language rap trio

‘Delightfully absurd’: why Mamma Mia! is my feelgood movie

The latest in our series of writers drawing attention to their go-to mood-lifting films is an ode to the hit Abba musical from 2008

Melodrive review – angsty indie singer-songwriter agonises over his infidelities

A gloomy musician messes a string of people around, but this earnest British drama doesn’t worry much about the women he betrays

‘The Köln Concert is the hit he wants to disown’: why Keith Jarrett shunned two new films about his unlikely masterpiece

His back hurt and his piano was substandard. But the musician’s improvised 1975 show entered jazz history. Now two films are celebrating that mesmerising night – and the sweary teen promoter who made it happen

Super Bowl: Kendrick Lamar, the ads, Taylor Swift and everything but the football – as it happened

While the game goes ahead, it’s a big night for culture with a much-anticipated half-time show, a string of big name ads and a returning role for Taylor Swift

On my radar: Sharon Van Etten’s cultural highlights

The US singer-songwriter on the Cure, The Bear, neighbourhood restaurants and spiritual solace

Chesney Hawkes: ‘As my dad once said, don’t believe the hype’

The singer, 54, talks about being back in leafy Surrey after years in LA, the secrets of a happy marriage and the hysteria of fame

From Dog Man to Cyndi Lauper: a complete guide to this week’s entertainment in the UK

There’s a new kids’ animation with distinctly Cronenbergian undertones, and the fun-having pop legend embark upon her farewell tour

Becoming Led Zeppelin review – enjoyable retrospective will be met with a Whole Lotta Love

It’s hard not to head-bang along to the first authorised documentary about the heavy rock legends, but stopping the story in 1969 ignores the band’s more colourful years

Take That and Jeff Goldblum to perform at Bafta awards

The boyband will sing their 2008 hit Greatest Day, which features in nominated drama Anora, while Wicked star Goldblum will play piano for the in memoriam section

‘Into the heart of the whirlwind’: how Led Zeppelin were sweet-talked into making a new film

They were quizzed endlessly and one wrong answer could have blown the lot. The makers of Becoming Led Zeppelin relive the tactics – and cups of tea – that got it green lit

A Complete Unknown: how charity shop and Etsy finds completed iconic Dylan look

Film’s costume designer explains how a scarf made from a blanket and some custom-made Levi’s formed key part of Timothée Chalamet’s wardrobe

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban
  • The best power banks and battery packs in the UK for reliable charging on the go, tested
  • Teddie Beverley obituary
  • Apocalypse when? ‘Earth’s Black Box’ to be installed in remote Tasmanian airfield
  • UK critical infrastructure hit by 200 cyber incidents in a year, agency says
  • Legislation proposed to stop lawsuits used to silence journalists and whistleblowers
  • Fears for Xbox as it puts its developers on the chopping block once again
  • I had a blood clot. An AI diagnosis may have saved my life
  • Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
  • ‘A neoliberal nightmare’: my ride on the Vegas Loop – Elon Musk’s answer to traffic jams
  • ‘Vegetarian Nigella’ and flirty hair flips: John Early and Kate Berlant take on diet culture in new influencer satire
  • The curious case of Elias Thorne – and what he tells us about AI inbreeding
  • Will it take a ‘Chornobyl-scale disaster’ for us to regulate AI?
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait

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