Richard Hartley

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Snapchat allows drug dealers to operate openly on platform, finds Danish study

Social media platform accused of failing to filter out obvious key usernames such as ‘coke’, ‘weed’ and ‘molly’

Labour comms director helped write manifesto while still working at TikTok

Exclusive: James Lyons rewrote 2024 election pledges ‘over evenings and weekends’ before his exit from social media company

How to Save the Internet by Nick Clegg review – spinning Silicon Valley

Instead of recognising that social media harms mental health and democracy, the former deputy PM and Meta executive repeats company talking points

At least 19 killed in ‘gen Z’ protests against Nepal’s social media ban

Many demonstrators say they are also on the streets over corruption and nepotism they allege is rampant

‘Food is political’: the TikTok star shining a light on South African cuisine’s hidden gems

Nick Hamman wants to help the local economy by enticing people to seek out township barbecues and family-run sandwich shops

‘Existential crisis’: how Google’s shift to AI has upended the online news model

Media sites are taking action on several fronts as traffic referrals dry up and AI companies plunder their content

Justice secretary suggests Jenrick risked collapse of murder trial with tweet

Judge said shadow justice secretary’s comments during trial of Elias Morgan were ‘ill thought through’

Why more and more people are tuning the news out: ‘Now I don’t have that anxiety’

Emotional toll of constant negative news and unlimited access to ‘doomscrolling’ has led to record-high news avoidance

Ready to give up social media? ‘Advice pollution’ might just get you there

I almost admire the confidence it must take to tell people what to do online. But I long for the days when the internet wasn’t just lists of bossy self-optimisation plans, writes Guardian columnist Emma Beddington

Science research gets more engagement on Bluesky than X, study finds

Bluesky posts referencing scholarly articles ‘find substantially higher levels of interaction’ than on Elon Musk’s platform

Big tech is a weapon of mass destruction to democracy. Here are three ways Australia can fight back

You have time that other countries have squandered. You can be leaders in building the information infrastructure humanity needs

Unhinged tweets and absurd self-promotion? Two can play at that game

Gavin Newsom’s counterpunching against Trump serves as a master class in flipping the script – and boosting his own profile

Vice Is Broke review – epic levels of hubris on show in downfall of millennial media darling

Documentary about the rise and fall of a publishing empire, from edgy magazine to billionaire-backing to bankruptcy has a ‘you had to be there’ vibe

Bland, easy to follow, for fans of everything: what has the Netflix algorithm done to our films?

When the streaming giant began making films guided by data that aimed to please a vast audience, the results were often generic, forgettable, artless affairs. But is there a happy ending?

Stop bullying The Summer I Turned Pretty cast and start ‘acting normal’, Amazon tells fans

‘The show isn’t real but the people playing the characters are,’ social media posts warn viewers

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban
  • The best power banks and battery packs in the UK for reliable charging on the go, tested
  • Teddie Beverley obituary
  • Apocalypse when? ‘Earth’s Black Box’ to be installed in remote Tasmanian airfield
  • UK critical infrastructure hit by 200 cyber incidents in a year, agency says
  • Legislation proposed to stop lawsuits used to silence journalists and whistleblowers
  • Fears for Xbox as it puts its developers on the chopping block once again
  • I had a blood clot. An AI diagnosis may have saved my life
  • Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
  • ‘A neoliberal nightmare’: my ride on the Vegas Loop – Elon Musk’s answer to traffic jams
  • ‘Vegetarian Nigella’ and flirty hair flips: John Early and Kate Berlant take on diet culture in new influencer satire
  • The curious case of Elias Thorne – and what he tells us about AI inbreeding
  • Will it take a ‘Chornobyl-scale disaster’ for us to regulate AI?
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait
  • UK social media ban ‘likely to cause £1.3bn drop’ in digital advertising spend
  • Cactus Pears review – tender and subtle story of forbidden love and a poignant awakening in India

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