Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Why am I addicted to watching videos of people chopping salads?

‘Microchopping’ influencers have turned chopped salads into an Instagram art – and it’s a salve for my anxious mind

Goodbye hot rodent, hello beefcake: the return of the hunk

Glen Powell leads Hollywood’s latest crop of muscled, charismatic men who ‘look like they came out of a 3D printer’

The second act of Sam Neill: ‘The truth was, I didn’t know how long I had to live’

He is one of the world’s best actors – but can still go to Starbucks without anyone recognising him. He discusses cancer, remission, happiness, fame and video nasties

Reuse that teabag! Ignore that special offer! It’s time to join the underconsumer revolution

Most of us already have more than enough stuff. No wonder so many young people are turning their backs on the marketers and influencers

On my radar: Sue Perkins’s cultural highlights

The broadcaster and standup comedian on her love of Angela Carter, bewitching Budapest, and a pizza restaurant that fuses Indian and Italian cuisine

‘It’s foolish to mask your age. Accept it. Present it’: Jeff Goldblum on vanity, mortality and becoming a father in his 60s

After five decades in the business, the fast-talking, finger-jabbing actor is as intense and eccentric as ever – and wondering what comes next

The hunt for a missing date, the numbers I’ll never forget: we’ll never match the magic of a landline

Fewer than half of British households now have a home phone – and we will lose something precious when they’re gone, says the comedian and author Viv Groskop

Can an AI friend make you less lonely?

Meet Friend: a ‘Tamagotchi with a soul’, wearable AI companion that records your interactions and texts back

A woman brought her own snacks to Despicable Me 4. Then the police arrived

Many struggling cinemas depend on sales of pricey food and drink as ticket revenue mainly goes to film studios. But does banning outside supplies really add up, asks Stuart Heritage

Alma’s Rainbow review – early 90s coming-of-ager is gem of black female empowerment

Pioneering director Ayoka Chenzira gives voice to the inner lives of women at a time when they were mostly ignored, making this film a rare gift to treasure

I save all my texts and photos. But do I really need them?

Every day, I generate more digital stuff my older self might like to look back on – but there’s no way to manage it all

‘Do you mind listening to that with headphones?’ How one little phrase revolutionised my commute

Noisy devices are making public transport hell. But do passengers realise the pain they inflict, asks the author Hannah Ewens

‘It’s the perfect setting’: TikTok goes wild for backstage Olympics videos

Lesser known sports stars are showing off Olympic Village life and captivating people with ‘joyful relatability’

Are you a cash stuffer or a doom spender? The new lingo helping people save money

Move over ‘thrifty’ and ‘flashy’. A fresh wave of buzzwords are shifting people’s financial habits – meet five of them

How a plant identification app helped me find happiness and satisfaction

I’m no expert, but knowing my neighborhood’s trees and flowers by name makes me feel grounded

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • How Refugee Week film festival brings migrants’ experience home
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban

Contact www.richardhartley.com   Terms of Use