The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role

Robert Duvall, Apocalypse Now and Godfather star, dies aged 95

From the classic To Kill a Mockingbird to blockbuster Gone in 60 Seconds, the Oscar-winning actor’s films spanned a remarkable range

Robert Duvall was a vigorous and subtle actor who always performed with passion and conviction

From his steely self-effacing consigliere in The Godfather to his surf-crazed Wagner enthusiast in Apocalypse Now, just to see him on screen made me smile

At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

Shame, healing and personal growth are the order of the day in this humourless, self-adoring and vapid exploration of an artistic and narcissistic Cape Cod family

UK audiences swoon over Wuthering Heights as film takes £7.7m over Valentine’s weekend

Emerald Fennell’s Brontë adaptation has overperformed on home turf, with a £10,030 site average over its opening weekend

‘It was spooky’: folk singer Olivia Chaney on how a song reflecting her own Brontë-ish love triangle wound up in Wuthering Heights

Offsetting Charli xcx, Chaney’s take on 19th-century ballad Dark Eyed Sailor accompanies Margot Robbie on the moors – but it’s just a tiny part of her culture-crossing, history-vaulting musical catalogue

O’Romeo review – Bollywood Shakespeare takes dive into grisly mafia queens territory

After hit takes on Macbeth, Othello and Hamlet, Vishal Bhardwaj’s Romeo and Juliet adaptation sees dead-eyed lovers drag one another to gutter and grave

‘Heath Ledger knocked my tooth out jousting with a broom’: how we made A Knight’s Tale

‘The lances were made of balsa wood and filled with uncooked spaghetti – so that when they broke, there’d be an explosion of what looked like splinters’

Bare Skin review – floridly wordy group therapy horror is propelled by trauma stories

Mico Montes’s perplexing horror portmanteau relies more on atmosphere than its actors for effect

Rose review – Sandra Hüller is outstanding in grimy examination of gender stereotypes

Austrian director Markus Schleinzer’s captivating film follows a woman passing herself off a man in 17th-century rural Germany

Do plans for a new Mummy film signal the end for the multiverse blockbuster franchise?

With audiences fatigued by endlessly interconnected mashups, studios are reverting to movies with one storyline that ends in a natural conclusion – what a radical idea

Every generation gets the Wuthering Heights it deserves. And Emerald Fennell’s is for the always-online

Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami

Emerald Fennell’s Wuthering Heights is a big movie with a very small mind

The maximalist adaptation of the gothic romance shows great interest in production design but very little in character

Lupin the IIIrd the Movie: The Immortal Bloodline review – eye-popping fan-service in latest in anime franchise

Takeshi Koike’s latest take on Monkey Punch’s vintage manga thief is beautifully animated, but the gossamer-thin plot and characterisation mean it’s one for superfans only

‘Unintentionally among the queerest releases of its time’: why Calamity Jane is my feelgood movie

The latest in our ongoing series of writers picking their comfort watches is an appreciation of Doris Day’s rule-defying heroine