Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

‘Pushes the nostalgia buttons’: why Enchanted is my feelgood movie

The latest in our series of writers picking their go-to comfort films is a tribute to Amy Adams and what might be her greatest performance

Silence and Cry review – deeply strange 1960s erotic ballet meditating on Hungary’s history and politics

Director Miklós Jancsó creates a bizarre psychodrama set after the fall of the 1919 Hungarian Soviet republic, encompassing postwar trauma and erotic overtones

‘Magical’: how I taught Paul Mescal and Josh O’Connor to sing like folk troubadours in The History of Sound

Singer-songwriter Sam Amidon had just three weeks to make the two stars sound like seasoned balladeers. He recalls their charged harmonies in the little shed at the bottom of his garden

Los Saldos review – prodigal big-city son reconnects with his heritage in rural Spain

Raúl Capdevila Murillo’s debut documentary follows the director’s journey back to his farming family, whose way of life is newly endangered

‘It was a little scary at times’: the hilarious, heartbreaking film about one man’s riotous death

When André Ricciardi found out he had cancer, he asked a friend to film his final years. André Is an Idiot, the result, mixes in stop-motion puppetry to create an astonishing record of an extraordinary life

Union County review – an affecting Will Poulter lifts quiet addiction drama

The British actor gives a convincing performance as a man going through the drug court system in a grounded look at rehabilitation

‘For the authoritarian, culture is the enemy’: Salman Rushdie talks recovery and resilience at Sundance

A new documentary explores the author’s physical and spiritual healing from the 2022 knife attack that almost killed him

Imagine review – profound conversations meet trippy visuals in one-of-a-kind adventure

Taika Waititi, Yael Stone and Ian Thorpe are among the big names lending voices to this ‘chaotically strange’ animation drawing on Indigenous perspectives

The Gallerist review – Natalie Portman flounders in tiring art world caper

The Oscar winner can’t find the right tone for this grating comedy which also wastes Jenna Ortega, Da’Vine Joy Randolph and Catherine Zeta-Jones

The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping

The Friend’s House is Here review – timely, secretly made tale of creativity in Iran

An underground scene of creatives in Tehran is threatened in this lived-in hangout movie that bravely chooses optimism over negativity

The Guardian view on the future of cinema: gen Z is falling in love with the big screen

Editorial: Film is in a state of existential crisis. But a new generation of cinephiles might save it from the streaming giants

Wicker review – Olivia Colman is smelly fisherwoman falling for wicker man in uneven fable

An inventively made fantasy boasts eye-catching premise and typically rewarding performance from Oscar-winner but something’s missing

‘Utterly overwhelmed’: British writer-director’s short film earns Oscar nod

A Friend of Dorothy, starring Miriam Margolyes, is a tender story of loneliness and unexpected friendships

Democratic congressman punched in racist attack at Sundance film festival

Maxwell Alejandro Frost says attacker ‘told me Trump was going to deport me’ as police say suspect arrested

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Guardian view on AI politics: US datacentre protests are a warning to big tech
  • ‘It feels as if I’ve made a new best friend’: my experiment with AI journalling
  • Readers reply: Should we be polite to voice assistants and AIs?
  • Dr TikTok: patients diagnose chronic illnesses with anonymous commenters’ help
  • Is AI the greatest art heist in history?
  • Lifestyle blogger said to have inspired Devil Wears Prada character uses unpaid student interns
  • From Andrew Tate to Mountbatten-Windsor, my first name has been dragged through the mud. Can a global community of ‘Drews’ help change that?
  • AI companies know they have an image problem. Will funding policy papers and thinktanks dig them out?
  • ‘Too powerful for the public’: inside Anthropic’s bid to win the AI publicity war
  • New documentary reveals boyband 98 Degrees had age-of-consent manual while touring in 90s
  • ‘Your photos will be deleted’: Apple users warned over ‘nasty’ iCloud storage scam
  • Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’
  • ‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify
  • ‘Abhorrent’: the inside story of the Polymarket gamblers betting millions on war
  • Congratulations to the Artemis II crew – but the case for sending astronauts into space is rapidly shrinking
  • Celebrity on celebrity: are we losing the art of the big star interview?
  • From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead
  • OpenAI CEO Sam Altman’s home targeted with molotov cocktail
  • The Guardian view on dystopias for our times: the American nightmare
  • ‘Butter Birkin’: popcorn plastic It bag in demand by Devil Wears Prada fans
  • Fifteen-year-old Noah hasn’t been kicked off any social media platforms – he’s still fighting Australia’s under-16 ban in court
  • The sheila is returning to Australian culture, riding on a new wave of ‘bogan feminism’
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • Amazon to finally launch Leo satellite internet in ‘mid-2026’, says CEO
  • Bafta apologises for events surrounding John Davidson’s Tourette’s outburst
  • US summons bank bosses over cyber risks from Anthropic’s latest AI model
  • Pillion to Roofman: the seven best films to watch on TV this week
  • AI products are reaching further into our lives. Does it matter who controls the companies behind them?
  • Thrash review – cursed shark thriller sinks like a stone on Netflix
  • ‘Irresponsible failure’: Google, Meta, Snap and Microsoft slam EU over child sexual abuse law lapse

Contact www.richardhartley.com   Terms of Use