Richard Hartley

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From Jay Kelly to Wicked 2: the Oscar-primed films that fizzled this season

It was a great year for Sinners and One Battle After Another but films with megastars like George Clooney, Julia Roberts and The Rock all struggled

‘I don’t want to do the same thing over and over’: Stacy Martin on risky roles, tequila at the Oscars and her Jurassic Park dream

After experiencing the strangeness of the Academy Awards with her last film The Brutalist, the indie actor has reunited with its creators for period curio The Testament of Ann Lee. But what she’d really like to get her teeth into is a certain dino franchise

Hamlet review – Riz Ahmed’s tortured prince drives chilling modern take through London’s streets

Timothy Spall and Art Malik co-star in Aneil Karia’s intelligent and stark retelling of Shakespeare’s tragedy, set in the world of shady family business

Michelle Obama documentary rises 13,000% in views as Melania film opens

Becoming garners 47.5m minutes viewed on same weekend as current first lady’s documentary released in cinemas

Melania is a rubbish film. Of course the man who defunded the arts loves it

The documentary premiered at the Kennedy Center. Three days later, the president announced he was shutting it down

Goofy! Pouty! Unvampy! With nine films on the go, can Charli xcx act?

She’s the edgy British brat who conquered the world with her hard-partying, electro-banging aesthetic. But can the star now go where Beyoncé and Harry Styles stumbled – and smash the silver screen?

Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom

The Valentine’s Day offerings begin with Amazon’s fast-paced, millennial-coded film that’s a fun enough watch even if its messaging is a little suspect

‘One moment it was a little blip. The next, our friends are dying’: the gay porn soundtrack composers lost to the Aids crisis

Gay porn in the 80s was home to beautifully moody synth music that is only now getting rediscovered – tragically too late for many of its creators

Trump 2.0 is proving a challenge for Hollywood – just look at this deeply silly new thriller

Anniversary depicts a rightwing takeover of the US inspired by a book of essays. But it’s fuzzy on the bits in between, says Guardian columnist Emma Brockes

REM x Buster Keaton’s Sherlock Jr review – classic comedy gets new alt-rock soundtrack

Keaton’s wild invention doesn’t gain much by adding indie guitars, but if they can bring a new audience to this silent classic, who’s listening?

‘A god-tier new classic’: first reactions to Wuthering Heights praise ‘hot, horny’ Emerald Fennell adaptation

The acclaimed latest version of the Emily Brontë bestseller is, however, not without controversies over race and age

V/H/S/Halloween review – plenty of grisly invention in latest helping of engaging horror anthology

Portmanteau series’ latest instalment has nice touches with eerily jolly villains and haunted soda, but it could use a bit of an edit

André Is an Idiot review – a riotously funny, painfully honest film about facing death

A cancer diagnosis becomes the catalyst for gallows humour, rage and hard-won emotional openness in a disarmingly frank film about how to say goodbye

Harry Potter’s Draco Malfoy becomes mascot for year of the horse in China

Mandarin transliteration of character’s name regarded as auspicious, prompting wave of memes and fan art

The Stunt Man review – Peter O’Toole runs amok in a gleefully deranged Hollywood satire

Richard Rush’s cult 1980 comedy-drama turns film-making into a battlefield, with O’Toole’s imperious director blurring art, war and cruelty in a performance of lasting menace

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • AI companies know they have an image problem. Will funding policy papers and thinktanks dig them out?
  • ‘Too powerful for the public’: inside Anthropic’s bid to win the AI publicity war
  • New documentary reveals boyband 98 Degrees’ had age-of-consent manual while touring in 90s
  • ‘Your photos will be deleted’: Apple users warned over ‘nasty’ iCloud storage scam
  • Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’
  • ‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify
  • ‘Abhorrent’: the inside story of the Polymarket gamblers betting millions on war
  • Congratulations to the Artemis II crew – but the case for sending astronauts into space is rapidly shrinking
  • Celebrity on celebrity: are we losing the art of the big star interview?
  • From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead
  • OpenAI CEO Sam Altman’s home targeted with molotov cocktail
  • The Guardian view on dystopias for our times: the American nightmare
  • ‘Butter Birkin’: popcorn plastic It bag in demand by Devil Wears Prada fans
  • Fifteen-year-old Noah hasn’t been kicked off any social media platforms – he’s still fighting Australia’s under-16 ban in court
  • The sheila is returning to Australian culture, riding on a new wave of ‘bogan feminism’
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • Amazon to finally launch Leo satellite internet in ‘mid-2026’, says CEO
  • Bafta apologises for events surrounding John Davidson’s Tourette’s outburst
  • US summons bank bosses over cyber risks from Anthropic’s latest AI model
  • Pillion to Roofman: the seven best films to watch on TV this week
  • AI products are reaching further into our lives. Does it matter who controls the companies behind them?
  • Thrash review – cursed shark thriller sinks like a stone on Netflix
  • ‘Irresponsible failure’: Google, Meta, Snap and Microsoft slam EU over child sexual abuse law lapse
  • I baulked at the idea of ‘friction-maxxing’. But there’s more to it than meets the eye
  • Reform UK voters least likely to see social media posts from family and friends, study finds
  • Fortune Feimster: ‘The stage was a crate, the sound system was a karaoke machine. No one enjoyed the show’
  • ‘I’m not a commercial director – I’m not even a professional film-maker’: Jim Jarmusch on the seven-year journey to make his new film
  • Elon Musk’s xAI sues Colorado over new rules for artificial intelligence
  • Man who groomed 14-year-old girl he met on Roblox jailed for 28 months
  • Amazon upsets ebook lovers by ending support for old Kindle devices

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