Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Little Amélie review – tender and poignant study of the fragility of early childhood

Based on a 2000 novella, this sweet animation follows a young girl who wakes from a vegetative state on the verge of feral, but begins to bond with others after an intervention by her grandmother

The mother of all meltdowns: Rose Byrne on playing a parent cracking up in her taboo-busting new film

What if loving your child is destroying you and all you want to do is escape? That’s the nightmare the Oscar-nominated Byrne faces in If I Had Legs I’d Kick You. The star and its director reveal why backers were scared

The President’s Cake review – toughly revealing story of kid on a baking mission for Saddam Hussein’s birthday

Nine-year-old Lamia is obliged by her school to make a birthday cake for the Iraqi president, and meets a series of vivid characters as she shops for sanctioned ingredients

Method dressing: nine actors who stayed wildly in character on the red carpet

Whether it’s Zendaya in tennis-inspired shoes, Cynthia Erivo dressed in green, Margot Robbie as Barbie or Jenna Ortega in shredded black leather, today’s movie stars rarely disappoint on the promo circuit

Wallace, Gromit and a new use for lentils: blockbuster Aardman exhibition opens at Young V&A

Children are encouraged to get hands-on as the world’s leading stop-motion studio showcases its work in east London

From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired

Eternal Sunshine of the Spotless Mind was never a love story. It was a warning

Watch Michel Gondry’s 2004 time-twister as a hard sci-fi film and you might heed its advice

The far right in power always co-opts culture – in France, it has already begun

Marine Le Pen’s party is concocting plans to replace a vital, vibrant arts scene with a retrograde movement that would glorify the country’s past, says Guardian Europe columnist Alexander Hurst

Melania drops by 88% to No 62 at UK box office, with £66 site average

The documentary’s second week slump equates to around six tickets per cinema

Whistle review – a smart, sympathetic spin on the cursed-artefact horror

Chiller about a skull-shaped Aztec whistle blends Final Destination-style deaths with a tender portrait of anxious adolescence

The Swedish Connection review – uplifting real-life tale of Stockholm bureaucrat who outwits the Nazis

A genial, lightly comic portrait of Gösta Engzell, the unlikely civil servant who outmanoeuvred Nazi bureaucracy with paperwork

Jimmy and Stiggs review – skull-numbingly silly alien-invasion splatterpunk yarn

Joe Begos’s gross-out aims for sensory assault but delivers only visual noise, numbing gore and a weary joke stretched far beyond endurance

My helicopter went into freefall – inside an active volcano

Christopher Duddy was shooting a film in Hawaii when disaster struck. For 28 hours he choked on fumes near a lava lake, fighting to get to safety

Wuthering Heights review – too hot, too greedy adaptation guarantees bad dreams in the night

Emerald Fennell’s take on Emily Brontë is an emotionally hollow, bodice-ripping misfire that misuses Margot Robbie and Jacob Elordi but makes the most of Martin Clunes

Goat review – noisy, lightning-speed basketball animation does it for the kids

A diminutive young buck aspires to compete with rhinos and horses in ‘roarball’, but this by-numbers tale is not the greatest of any time

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Charli xcx’s Brat movie marks the moment the mockumentary died
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Cure review – eat-the-rich horror fable with a sinister life-extension twist
  • Anna Wintour shares Vogue cover with Hollywood doppelganger Meryl Streep
  • Tell us: do you use AI chatbots to make decisions for you?
  • Paul Seed obituary
  • Oh what a circus! The Greatest Showman hits the stage as a high-flying, hammer-juggling, banger-filled spectacular
  • Legendary Disney composer Alan Menken on winning Oscars, Razzies and his ‘filthy’ rock musical
  • An AI company with an arsenal of spacecraft: what exactly is SpaceX?
  • Row over ‘virtual gated community’ AI surveillance plan in Toronto neighbourhood
  • Musk’s SpaceX courts retail investors as it aims for record-breaking stock market flotation
  • Porn, dog poo and social media snaps: the ‘taskers’ scraping the internet for AI firm part-owned by Meta
  • ‘There’s a lot of desperation’: skilled older workers turn to AI training to stay afloat
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • Sluts, simps and body shaming: the rise of Africa’s manosphere
  • Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot in reputational glow-up
  • Children in UK report online sextortion attempts in record numbers
  • ‘I felt ashamed and scared’: how an online friendship became a sextortion nightmare
  • ‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot
  • Tech companies are cutting jobs and betting on AI. The payoff is far from guaranteed
  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Iran’s internet blackout is longest national shutdown since Arab spring
  • Noel Chanan obituary
  • Using AI to speed up Australia’s environmental approvals risks ‘robodebt-style’ failures, scientists say
  • Private jets, deserted shores and an unbuilt resort: alleged links to sanctioned ‘scam’ empire revealed in Timor-Leste
  • ‘Traceability is vital’: labs test thousands of unregulated substances amid peptide craze
  • Do we really need truncheons and pepper spray to fight off London’s ‘feral’ teenage shoplifters?
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • ‘It started with a tipoff’: how a Guardian investigation exposed child sex trafficking on Facebook and Instagram

Contact www.richardhartley.com   Terms of Use