Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Facebook ‘disappointed’ in Australia’s attempt to make tech giants pay for news content

Federal government pushes ahead with plans despite similar schemes having limited success overseas

Coronavirus: Facebook will start warning users who engaged with ‘harmful’ misinformation

Users who have liked, shared or commented on posts with false claims will be directed to WHO’s ‘myth busters’ page

Tech giants struggle to stem ‘infodemic’ of false coronavirus claims

Critics say efforts are too little, too late as research reveals vast majority of false claims appear online

‘I haven’t laughed so much in my life’: the Australians dressing up to celebrate bin night

Weeks into quarantine, we must find joy in the little things – like wheeling out the garbage in a giant inflatable penis

Corona comedy: Facebook cabaret, gamer gags and a WhatsApp panel show

From Iain Stirling’s Fifa banter to Jayde Adams live from her lounge, comedians isolated by the lockdown are reaching audiences online

Who You Think I Am review – Juliette Binoche turns up the heat in phone sex tale

Binoche encounters an attractive younger man online but refuses to meet him face-to-face in this twisty erotic drama

WhatsApp to impose new limit on forwarding to fight fake news

Restrictions on ‘frequently forwarded’ messages intended to disrupt false Covid-19 claims

Lockdown’s hottest viral trends: raging at the neighbours and torching 5G towers

It’s not just coronavirus cases – curtain-twitching and conspiracy theories are also increasing exponentially, says writer Joel Golby

Dangerous cures and viral hoaxes: common coronavirus myths busted

With so much misinformation about Covid-19 circulating online, we’ve factchecked some of the more common fallacies

Pandemic shaming: is it helping us keep our distance?

The Covid-19 outbreak has generated fresh wave of finger-pointing on social media. But does public shaming help change behaviour?

Social media giants must tackle trolls or face charges – poll

Majority of UK adults surveyed want a law to protect web users, and a requirement on platforms to stop abuse

Revealed: online trade in coronavirus ‘cure’, test kits and ventilators

Investigation finds GP selling antibody tests to public, in apparent breach of UK law

UK media outlets told not to promote baseless 5G coronavirus theories

Broadcasters warned they face sanctions if they give airtime to false Covid-19 health advice

Media deal with Facebook and Google more urgent with coronavirus taking jobs, says regulator

Australian Competition and Consumer Commission pushing for code of conduct to ensure news businesses on digital platforms are treated fairly

Johnson rehires election chief to sharpen coronavirus messaging

Isaac Levido, protege of Lynton Crosby, to tighten up public health campaign after criticism

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Two Britons plead guilty to £39m 2024 cyber-attack on Transport for London
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • Angry and lonely after my marriage ended, I came dangerously close to embracing the manosphere
  • Tesla drivers crash into swimming pool and home in separate US incidents
  • Once Upon a Time in Holyhead: Quentin Tarantino and Kylie Minogue shooting film in Porthcawl
  • AI models that can take down governments and business months away, rare Five Eyes statement warns
  • Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
  • Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
  • Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
  • ‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters
  • Shadows of Willow Cabin review – secrets fester beneath horny hookup in low budget horror
  • The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine
  • The Reverse Centaur’s Guide to Life After AI by Cory Doctorow review – the real price of artificial intelligence
  • Thirsty and power hungry: Australia is in the middle of a datacentre boom – but are they good for the economy?
  • Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
  • Condemned to plutocracy? The relentless rise of US inequality
  • Brands using AI-generated influencers to promote products on social media
  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage

Contact www.richardhartley.com   Terms of Use