Cannes 2012: Broken – review
Rufus Norris's drama of dysfunction and pain is often strained and self-conscious, but newcomer Eloise Laurence is a real find, writes Peter Bradshaw
Cannes 2012: The We and the I – review
Michel Gondry's signature playfulness keeps an otherwise stifling schoolbus journey through the Bronx entertaining, writes Henry Barnes
Cannes 2012: Paradise: Love – review
In the first part of a trilogy, Ulrich Seidl explores the subject of sex tourism among rich, middle-aged white women. But does he tell us anything we didn't know already? asks Peter Bradshaw
Cannes 2012: Mekong Hotel – review
Apichatpong Weerasethakul's interesting but indulgent featurette is no more than a diverting footnote to his more acclaimed work, writes Peter Bradshaw
Cannes 2012: Mystery – review
Distinctive and confident, Lou Ye's intriguing if ultimately slightly preposterous noir-melodrama lives up to its name, writes Peter Bradshaw
Daniel Radcliffe and Jon Hamm join Sky Arts revolution
Harry Potter and Mad Men stars lead cast for four-part comedy drama set in Russia in 1917. By John Plunkett
If I Want to Whistle, I Whistle – review
The culmination of this tale of life in a Romanian young offenders' institute proves as despairing as it is tense, writes Mike McCahill
The Life and Death of Colonel Blimp – review
This glorious film gets more fascinating and moving each time its seen, writes Peter Bradshaw
She Monkeys – review
This worthwhile film is a tremulous, pained study of awkward emotions among teenage Swedish lesbians, writes Andrew Pulver
Even the Rain – review
This smart fable stars Gael García Bernal as a heartthrob Herzog whose film crew starts to perpetuate the exploitation they hope to denounce, writes Mike McCahill
Cannes 2012 review: After the Battle
Yousry Nasrallah's attempt to yoke a stolid, state-of-Egypt drama to the Arab spring is a long, hard trudge, writes Xan Brooks
Cannes 2012: Rust and Bone – review
Jacques Audiard's moving love story, which surges out of the screen like a flood tide, deserves to be awash with awards, writes Peter Bradshaw
Cannes 2012 review: Moonrise Kingdom
Wes Anderson's elegant new film is eccentric but heartfelt – a soufflé of strangeness that rises superbly, writes Peter Bradshaw
Kennel worker Kitty Broad on The Lucky One
In this film all the characters seem to forget they're running kennels about halfway through, writes Battersea Dogs Home worker Kitty Broad
L’Atalante and the Films of Jean Vigo – review
One stirring short and three mischievous masterpieces feature on this collection from the great French auteur who died in his prime, writes Philip French
Beloved – review
Catherine Deneuve is as wonderful in Christophe Honoré's homage to Jacques Demy's musicals as she was in the originals, writes Philip French
Café de Flore – review
Jean-Marc Vallée's experimental film alternates between two tales, one fascinating, one drivel, writes Philip French
The 25 web TV shows you need to see
Internet TV is attracting huge stars, big bucks and small-screen spin-offs. Here are the best streams to point your browser at
Cafe de Flore – review
A narcissistic and unpersuasive mosaic of dreams and flashbacks in which a poor superstar DJ mopes about finding multiple soulmates, writes Mike McCahill
How I Spent My Summer Vacation – review
If he hadn't poisoned his reputation so utterly, this lively bankrobber caper might have put Mel Gibson back on top, writes Peter Bradshaw
Faust – review
Peter Bradshaw: Sokurov's version of Goethe's tragedy is part bad dream, part music-less opera, with hallucinatory flashes of fear
Charlie Casanova – review
This supposed satire about Ireland's self-pitying prosperous classes is so heavy-handed it's almost unwatchable, writes Peter Bradshaw
Goodbye First Love – review
Mia Hansen-Løve proves that less is more in a beautifully observed tale of a student's romantic entanglements, writes Philip French
Le quai des brumes – review
Jean Gabin was at the height of his powers in Marcel Carné's 1938 masterpiece, writes Philip French
Piggy – review
This competent revenge thriller starring Martin Compston and Paul Anderson holds few surprises, writes Philip French
The Lucky One – review
This US tearjerker crosses the line between the exploration and exploitation of grief, writes Philip French
Monsieur Lazhar – review
Philippe Falardeau's drama set in a Quebec school is subtle and uplifting, writes Philip French
Hara-Kiri: Death of a Samurai 3D – review
Takashi Miike's action drama is thrilling and thoughtful in equal measure, writes Philip French
Angel & Tony – review
The story of a mismatched couple in a French port is beautifully executed but fails to convince, writes Philip French
New Dimensions to Sci Fi London
Ben Child: Among the highlights of this year's festival is a period drama with a time-travel twist. Think Merchant Ivory, only steampunk