Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Elon Musk’s Twitter coup has harmed the right. They are now simply ‘too online’

Democrats were fooled by their social media echo chamber in 2016. Now Republicans may be falling into the same trap, says sociologist Paolo Gerbaudo

‘It’s not a solution for teen girls like me’: Instagram’s new under-18 rules met with skepticism

Meta’s changes include making teen accounts private and ‘limiting sensitive content’. Many say it’s not enough

HSBC calls on tech firms to help refund victims of fraud

Bank says new UK compensation rules will fail to curb APP scams and prove financial sector is not the problem

Gambling firm appears to trivialise Lebanon pager blasts in social media post

London-listed Evoke, which owns William Hill, apologises for post on Israeli Facebook page linking to job ads

Axel Springer’s media assets to be split off in €13.5bn KKR deal

Private equity group to control classified business while Mathias Döpfner and Friede Springer will run digital operation

Best podcasts of the week: Lupita Nyong’o and friends tell tales of the African diaspora

In this week’s newsletter: The Oscar-winning actress goes back to her roots in Mind Your Own. Plus: five of the best comic book podcasts

Character Limit by Kate Conger and Ryan Mac review – Musk’s Twitter takeover

Behind the scenes of a corporate acquisition that changed social media for ever

Until social media giants take responsibility for the harm they cause, I support Australia’s age ban

Algorithms which intensify polarisation harm young and malleable minds the most. If digital platforms won’t self-regulate – the government needs to step in

Meta to put under-18 Instagram users into new ‘teen accounts’

Change giving parents greater control comes as governments consider social media age limits

By showing Musk’s X the red card, has Brazil scored a goal for all democracies?

A Brazilian justice ordering the platform to be blocked until it complies with state laws is a first among non-autocratic nations

‘I’m not sure what to trust’: a student navigates the news in the age of social media

With more people getting their news online than on TV, Ben Herd, 20, records his experience of following current affairs

From spy cams to deepfake porn: fury in South Korea as women targeted again

National police agency says it is investigating 513 cases of deepfake pornography as a new scandal grips the country

Sun and Daily Mail publishers cut jobs in US digital operations

Daily Mail owner says it has made ‘a small number’ of job cuts in US, and US Sun is also cutting back

Useless, beneficial, a social-life killer: teens weigh in on Australia’s plan for child age limits on social media

Some see the ban as worthwhile amid online dangers, while others say it would be socially inconvenient – and hard to enforce

Best podcasts of the week: How Joni Mitchell changed music – and America

In this week’s newsletter: Radio host Carmel Holt explores the singer’s cross-generational impact in The Road to Joni. Plus: five of the best podcasts about the future

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • What is Moltbook? The strange new social media site for AI bots
  • Why should renters like me have to trade away our privacy just to get a roof over our heads?
  • Steven Spielberg becomes an Egot after winning Grammy for John Williams documentary
  • Snapchat blocks more than 400,000 Australian accounts but warns of ‘significant gaps’ in under-16s social media ban
  • Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western
  • Melania film earns $7m in US, strongest documentary debut in over a decade
  • ‘It’s really sad’: US TikTok users rethink app over concerns about privacy and censorship
  • Dozens of historic Maseratis recreated for movie about Italian car company
  • ‘Coffee is just the excuse’: the deaf-run cafe where hearing people sign to order
  • Catherine O’Hara obituary
  • Why TikTok’s first week of American ownership was a disaster
  • ‘Menopause gold rush’? Boom in hi-tech products as stigma starts to recede
  • How the left can win back the internet – and rise again
  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • US authorities reportedly investigate claims that Meta can read encrypted WhatsApp messages
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • Will corporate America finally stand up to the Trump administration?
  • What to know about the jury trials of Meta, Snap, TikTok and YouTube
  • How the right won the internet
  • Alarm raised over Chinese CCTV cameras guarding ‘symbol of democracy’ Magna Carta
  • Ulez bomber: the retired electrician who turned bomb-making extremist
  • We have lost so much of ourselves to smartphones: can we get it back?
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • Can you guess our screen time? A priest, pensioner, tech CEO and teenager reveal all
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Elon Musk had more extensive ties to Epstein than previously known, emails show
  • Catherine O’Hara managed to make difficult characters utterly delightful

Contact www.richardhartley.com   Terms of Use