Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Television in titbits: the rise of the billion-dollar microdrama industry

Hollywood is betting big on vertical microdramas, told in chunks under two minutes. Can a gimmick turn into a new form of entertainment?

Facebook tests charging users to share links in potential blow for news outlets

News organisations fear move could hit newsrooms and other media publishers by stopping users sharing their content

The Guardian view on Australia’s social media ban: dragging tech companies into action

Editorial: Children under the age of 16 needed protecting and the moral argument wasn’t winning. Government regulation can change the terms of debate

Starmer’s communications chief to address cabinet on media strategy overhaul

Exclusive: David Dinsmore to advise ministers as they step up efforts to combat far-right rhetoric online

Pakistani man living in Australia describes ‘nightmare’ of wrongly being labelled as Bondi attacker

Naveed Akram, a 30-year-old from New South Wales, was misidentified online as alleged attacker of the same name as misinformation spreads

Google AI summaries are ruining the livelihoods of recipe writers: ‘It’s an extinction event’

AI Mode is mangling recipes by merging instructions from multiple creators – and causing them huge dips in ad traffic

What is – or was – the best-ever internet meme?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

Let Donald Trump see inside my phone? I’d rather be deported

The potential demand that visitors to the US hand over their social media records, or even their phones, opens up a world of embarrassment, writes Guardian columnist Emma Beddington

Australia’s social media ban has given us a way to fight big tech – and get my son back on his skateboard

The ban on under-16s accessing ‘harmful’ content that began this week has overwhelming approval from adults – even if it had a few teething issues, says author Sisonke Msimang

Will other countries follow Australia’s social media ban for under-16s?

Several European nations are already planning similar moves while Britain has said ‘nothing is off the table’

In a shocking twist, Keir Starmer’s TikToks are borderline competent

The PM’s social media sortie has not been a total embarrassment, which may be a shame for him

Australia’s social media ban launched with barely a hitch – but the real test is still to come

The policy to cut off social media access for more than 2 million under-16s remains popular with Australians, while other countries look to follow suit

Online child sexual abuse surges by 26% in year as police say tech firms must act

Figures for England and Wales show there were 51,672 offences for child sexual exploitation and abuse online in 2024

‘Already had a profound effect’: parents react to Australia’s social media ban

We asked you to share your views on your children’s use of social media and how the ban is affecting your family. Here is what you told us

Film bro finds and ‘crash out cinema’: how Letterboxd became a review haven for the algorithm-averse

The platform’s esoteric watchlists and rating system appeal to cinephiles craving a different mode of discovery

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • Trump’s media company, which also owns Truth Social, reports $238m loss
  • Zuckerberg pushes ‘superintelligent’ AI for all as Meta drops open-source model
  • The Guardian view on Meta’s smart glasses: regulators must get on the front foot
  • Bernie Sanders calls on Silicon Valley to ‘pause AI development’ in interest of humanity
  • Barack Obama launches podcast about books that ‘shaped his worldview’
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • What happens when medical students rely on AI – and never develop their own judgment?
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit
  • Messy is chic again. But is the world ready for my kind of crumpled grubbiness?
  • Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
  • Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’
  • It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos
  • Samsung Galaxy Z Fold 8 review: your passport to a folding phone future
  • Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale
  • UK manufacturers face rising hacking risk as survey shows 30% were hit last year
  • Movie paradise? How Malta became a magnet for big film shoots
  • Zuckerberg faces questions over why superyacht reportedly declined to help stranded boat
  • OnlyFans for Therapy review – a brave and unsettling emotional exposure
  • Inside a meme factory: meet one of thousands of Indonesians trading political outrage clicks for Facebook cash
  • I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
  • Most X accounts posting about Belfast and Southampton unrest were based outside UK
  • ‘I’ve definitely lost followers’: influencers face backlash over Meta ‘pervert glasses’ content
  • AI push is putting banks at mercy of tech firms, warns Moody’s
  • ‘Watch The Odyssey for free online’: scam targets film fans with fake streaming sites

Contact www.richardhartley.com   Terms of Use